Harbinger Extra: Israel Sanchez, Interview with the Artist

Follow the Path! 25 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock. On March 3rd, all twenty-five illustrations will be shown at the Hive Gallery in downtown Los Angeles. Come join us!

This week’s art reveal is hosted by: Pure Imagination

Faye from Harbinger. Illustrated by Israel Sanchez

SWE: Hi Israel!

I love your portrait of Faye at the window, with the nails, and the water flooding in. Can you tell me a little about why you picked that scene?

Israel: I chose the moment when Faye throws the nails out the window because it was one of the few times early on in the book when she was in control of herself and everything around her. It was a moment of defiance that no one saw. I also thought that it would make an interesting image, a quiet moment with lots of meaning.

SWE: I love your description of that. “A moment of defiance that no one saw.” And Faye looks so strong in your picture. It’s wonderful!

Did you have a favorite book when you were growing up?

Israel: My favorite Young Adult book is Where The Red Fern Grows. I still look to books and movies about kids growing up and facing adult challenges. The story of a young boy learning about the hard parts of life and how to get through them was a big inspiration for me when I was young. On top of that, it’s a great adventure story.

SWE: I remember really liking that when I was growing up too…though its been a while. I know what you mean about liking books that show the character navigating the hard parts of life. We often need all the help we can get.

When did you know you wanted to be an illustrator?

Cyclops! by Israel Sanchez from FLIGHT 4 anthology

Israel: I’ve always known I wanted to be an artist but I knew I wanted to be an illustrator the first time I saw the work that N.C. Wyeth created for Scribner’s classic books. My teacher, Marshall Vandruff, would show slides of the paintings projected at a giant size. The color, composition, and staging in them just blew me away.

SWE: It’s be hard not to be inspired by N.C. Wyeth! I love his stuff. And he really knows how to pick his moments, doesn’t he?

Orangutans or squids?

Israel: Orangutans, because you can shake hands with them.

SWE: But you’re pretty daring if you do! Though perhaps trying to shake hands with a giant squid might be more dangerous!

What about your own work? What have you been up to?

Israel: I have written and illustrated comic stories for the Flight anthology and Nickelodeon Magazine. I also freelance as a background artist for Titmouse Animation.

SWE: I love the Flight anthologies! Can we see any of your work from them? Thanks!

Israel: Sure this is from my story “Cyclops!” Flight really helped me learn about telling stories with pictures.

I work at a computer or at a drafting table depending on the project I'm on and who it's for. I don't have many pictures taped up around me for inspiration but I do have a lot of art books that I look at when I need a little bit of a creative push. I listen to music when I work but it has to be something I know, otherwise I get distracted by it.

What else have you been working on?

Israel: I do paintings for local gallery shows every now and then. It keeps me in practice painting, especially when I’ve been working on the computer too long.

I am currently working on my first picture book, “The Dinosaur Tooth Fairy” by Martha Brockenbrough, for Scholastic and due out in this year. It’s been a blast to work on and I can’t wait for it to come out.

SWE: What’s your favorite thing about illustration work?

Israel: My favorite thing about being an illustrator is the challenge of having to solve a problem and come up with an entirely new piece of artwork each time I’m given an assignment.

SWE: What do you do when you need a little inspiration?

Israel: I get inspired mostly by being outside. A camping trip or even just a short walk through my neighborhood is enough to get my ideas going. I don’t know why exactly, I guess the rhythm of a walk makes it easier to get and focus on ideas.

SWE: Yeah, I take walks too. And showers. One of them usually does the trick.

What about people that inspire you?

A color study for Dinosaur Tooth Fairy illustrated by Israel Sanchez

Israel: I can’t pick one person so I’ll say that all of my artist friends inspire me. Seeing the amazing work they create gets me excited for my own projects.

SWE: Can you tell us a little bit more about The Dinosaur Tooth Fairy and what it’s been like to work on it? And maybe give us a sneak peek?

Israel: This is the first picture book I have illustrated. Although it’s been fun to work on, it has been a challenge, especially when figuring out how to create images that support the story while being fun to look at. It’s been a great learning experience and I hope to have the chance to do it again soon.

Babushka Bear by Israel Sanchez

SWE: Do you have a superpower?

Israel: I have the power to stay up working so late that I get to see the sun rise in the morning, but I’m learning that the power fades with age.

SWE: So…Wonder Woman or Super Girl?

Israel: Wonder Woman. I think it’s the outfit.

SWE: Is it ever! Thanks Israel! To see more of his work, check out Israel’s website. And don’t forget, Dinosaur Tooth Fairy will be out later this year!


Harbinger Extra: Su Moon, Interview with the Artist

Follow the Path! 24 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock. On March 3rd, all twenty-five illustrations will be shown at the Hive Gallery in downtown Los Angeles. Come join us!

This week’s art reveal is hosted by: Stories and Sweeties

Faye waking up the first morning from Harbinger. Illustration by Su Moon

SWE: Hi Su!

I love this illustration you’ve done of  Faye and Maya waking up in their Holbrook dorm room.  The strong reds and oranges do so much for the tension in their scene. Can you tell me why you chose to portray this?

Su: The moment of shared fear and sympathy between Faye and Maya lingered with me long after I read the scene.

SWE: Well, your illustration certainly lingers with me!

When did you first know you wanted to be an artist?

Su: I was premed in college, and after graduating much impoverished, I took time off to consider my options beyond medschool. I moved to NYC in the winter and walked through a blizzard to snag a job with a creative talent source book. It was my first exposure to professional illustrators and designers making a living creating art. The possibility never occurred to me before!

I’m also interested in writing, so animation and picture books seemed a natural way to integrate art and story. I moved to LA, got into animation and joined a writing group and SCBWI.

SWE: I know what you mean. I studied science in college and even though I loved writing and books, even though I came from a family with a deep love of books and bookstores, it took a long time for me to realize that being a writer was something that I could actually do.

Do you work as an artist full time now?

Wombat G'Day...an illustration from a picturebook dummy by Su Moon

Su: By day, I design cartoons for Warner Bros. Animation. It’s challenging, and frequently enjoyable.

SWE: Sounds awesome!

So…Orangutans or squids?

Su: I’m Korean — squids, for sure.

SWE: Ha!

Growing up, did you have a favorite book?

Su: My favorite book as a kid was an orange, pleather bound copy of the Jehovah’s Witness “My First Book of Bible Stories”. The technicolor illustrations of Old Testament stories –Jezebel’s red claws and all those hairy sons of Adam — were terrifying.

The Dark is Rising fantasy series by Susan Cooper, was a favorite, too. These days, I love Sherman Alexie’s The Absolutely True Diary of a Part-Time Indian and David Small’s graphic novel, Stitches.

I have a day job, so I don't settle into my personal work until late. I work on a Mac and Cintiq, surrounded by paper... I'm a fan of post-its and yellow legal pads.

SWE: I love the Dark is Rising series too! And The Absolutely True Diary of a Part-Time Indian is also one of my “new” favorites. Sadly, Stitches is still sitting on my to-read shelf…but I’ll get to it!

What’s your favorite thing about the job?

Su: When drawings make me laugh.

SWE: Nice!

What do you do when you need some inspiration?

Su: I walk and doodle for inspiration. But, frustration and deadlines are also great motivators.

SWE: So true!

What about people who inspire you?

Su: My parents and their perseverance.

Illustration from a picturebook dummy by Su Moon

SWE: What are you working on right now?

Su: An animation pitch and revising two picture book dummies.

SWE: Can we see any sneak peeks of what you’re working on?

Yay! Thanks for the preview!

Do you have any superpowers?

Su: I’m still hoping to manifest some one day!

SWE: So the all important question…Wonder Woman or Supergirl?

Su: Old-school Lynda Carter Wonder Woman!

SWE: Me too! I love her spin-change! Thanks Su! If you’re interested in seeing more of Su Moon’s work, you can contact her agent!

Harbinger Extra: Jane Smith, Interview with the Artist

Follow the Path! 24 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock…

This week’s art reveal is hosted by: Supernatural Snark

Faye from Harbinger. Illustration by Jane Smith.

SWE: Hi Jane!

I love your illustration of Faye with the skeleton animals. It’s both adorable and creepy, which is a unique mixture. Can you tell me a little about the piece?

Jane: The Harbinger illustration I created is a scene from Faye’s past, prior to her time at Holbrook. She is down near a polluted river communing with the bones of deceased animals.

I chose this scene as a way to introduce Faye’s character thru her relationship with the natural world around her. In this scene, Faye’s interaction with the animal’s haunting skeletons is also a foreshadowing of what is to come, but yet is still mysterious enough to not actually give away any of the juicier bits of the story!

SWE: Well, you did an amazing job. It has an innocence to it that I love to think young Faye had…the wonder that she felt when she found these skeletons.

So, do you have a favorite kid’s book?

Cover of Babybug by Jane Smith.

Jane: Growing up I was a prolific reader and had tons and tons of favorites (my mom was a librarian!), but as of today, my favorite YA novel is “The Tribes of Palos Verdes” by Joy Nicholson.

This is a surf novel, and I’m a total sucker for a great surf novel. I stink at surfing, but I’ll always remember the only two waves I ever caught. It was like magic dropping down the face of those waves. And a great story like this lets me have the thrill of being a surfer for an afternoon, without the 5am alarm or the freezing cold water!

SWE: Wow. That is definitely going on my to-read list. It sounds amazing. What about your own stories and art?

Jane: I have illustrated numerous products (books, magazines, posters and more!) for children and have art directed & designed over 30 children’s books. Among my favorite projects is Five Silly Pumpkins, a mini pop-up book, which I illustrated, Fairytale Mix-Up, a mix-and-match pop-up book, which I wrote, and Ten Friendly Fireflies, an appearing LED light book, which I designed. My artwork has also appeared on the cover of Babybug and New Moon Magazines.

An illustration by Jane Smith from Five Silly Pumpkins

SWE: I love that your illustration work often breaks out of the traditional forms, becoming 3D pop-ups and lighting up!

Do you do other creative work outside of illustration?

Jane: When I’m not illustrating and writing for the publishing world, I am busy creating my collection of original, one-of-a-kind artwork and apparel for my Etsy store, Super Hoot. The collection features mixed media collages on canvas, sewn cloth collages on clothing and charming, handmade pants and tote bags for children.

Super Hoot! Clothes by Jane Smith

SWE: Sounds lovely! I love your Superhoot stuff! I just wish I could wear it!

Have you always known you wanted to be an artist?

Jane: I’d have to say I did not choose to become an Illustrator/Artist. The profession most definitely chose me! As to why, I’d say it is a mystery of the soul. I’ve always been compelled to create, to draw, to collage, to tell stories. It is a creative force within that simply demands to be in the driver seat, and I see it as my mission in life to try my best to not get in the way of myself.

SWE: Very smart…I definitely get in my own way a lot. I like the picture of my creative self being in the driver’s seat. Maybe thinking about it that way will help!

So…Orangutans or squids?

Jane: Squids. Giant squids. Giant squids battling prehistoric sharks. (Now I’d like to watch THAT movie!)

I settle down to work in the afternoons. Since I have a young daughter, my work schedule revolves around her time with her dad and an excellent part-time nanny. I find I need to clear out distractions to properly think, and I need to be alone to be productive! It can take a little bit of time to settle down, relax and begin working. Shifting gears between chasing an energetic toddler around and around and sitting down at my desk to work takes more than a couple beats. I usually begin by doing ticktack stuff like checking email, sending out invoices, and logging receipts, before I get down to the business of drawing, collaging and writing. Sometimes I listen to music. Sometimes I put a TV show on in the background. And sometimes I need silence!

SWE: Me too!

What’s your favorite thing about your job?

Jane: Those long, quiet afternoons when I’m so deeply involved in a new illustration that everything else falls away.

SWE: Yes. That’s what I live for too!
How about when you need inspiration… what do you do?

Jane: I find inspiration reading books, visiting art museums, going to see live music, running along the beach and in the woods, watching TV shows, going to roller derby, watching basketball games, hanging out with my family, flipping thru magazines, cooking, shopping on Etsy, strolling thru flea markets, dining out at my favorite restaurants and eating cupcakes. When I need to be inspired, basically, I let go of “work” and venture out into the world to enjoy myself!

SWE: What about people that inspire you?

Jane: For me, this is an impossible question to answer! There are so many amazing artists that have contributed to the creation of my own personal aesthetic. So to name a few, and certainly not all: Robert Rauschenberg, Jackson Pollock, Mark Rothko, Louise Nevelson, Franz Kline, Edward Hopper, Ben Shahn, Edward Weston, Eric Carle, Leo Lionni, Ezra Jack Keats, Elijah Pierce…

SWE: What are you working on now?

Jane: As always, I have several new book dummies in progress, which when finished, will be submitted to publishers for publication. Recently, I finished up a couple new images for Babybug Magazine, which includes the cover art for the April 2012 issue. Also, you can see my artwork in the Nightmares & Lullabies exhibit opening February 4th at the Hive Gallery in Los Angeles. And of course, sewing new products for Super Hoot!

Super Hoot! Art by Jane Smith.

SWE: Do you have any super powers?

Jane: I’m afraid not. But if I did, I know exactly which super power I would want to have. The power to always be refreshed! Image how much more I could get done every day…

SWE: Smart!

Last but certainly not least, Wonder Woman or Supergirl?

Jane: Wonder Woman! What else could you possibly call an Artist-Illustrator-Mama-Writer-Runner?!

SWE: Thanks, Jane! It’s be so much fun talking to you!

Don’t forget to check out Jane’s art portfolio, her blog, and her Etsy store, Super Hoot!

 

The Making of the Harbinger Trailer

Soooo… about a year and a half ago, Tony and I started thinking about making a book trailer for Harbinger. Since we live in LA, a lot of our friends work in movies, tv, and video games. So it seemed like a crime not to make a live-action, movie-style trailer. Plus, it’d be easy, right??

I had no idea.

Photo by Mandy Walls.

 

I remember my friends Brian and Kim’s faces when I pitched them the idea. “So… I was thinking we could do a montage, right? ‘Cause then we could show all this stuff that happens in the book and it’ll be easier, ’cause it’ll just be little snippets.”

*blink, blink*

They already knew then what I was about to learn. Montages are one of the hardest things to do, because you have to film so many scenes, in so many different locations. But evidently, my enthusiasm was catching, because Brian and Kim decided to follow me into the madness and awesomeness that was making the Harbinger trailer. And over the course of the next year, I learned something else important.

Making movies is AWESOME.

Okay. Some of it _was_ running around with a camera.

I’d only been on a real set once before and I’d never made anything of my own. So somewhere in the back of my mind, I thought we’d kinda just run around southern California with a camera and a couple actors and shoot stuff. Not so. Because if I’d really thought about it, I’d have realized that filming takes a lot of specialized equipment and people with even more specialized skills. And my favorite part about making the trailer was watching people work, watching how skilled people can use amazing angles and lighting and performances to transform a set into a movie. I loved learning how you bring a story to life. Especially because this was my story!

But the best part about making this trailer was also the hardest part. People. Making something like this takes a lot of very talented, very skilled people. And again, I was blown away and fascinated by what these wonderful people could (and would!) do.

The ocean might have been a little chilly. Sorry, Olivia!

Let’s take Olivia, for example, clearly the most visible part of the trailer. I saw her photo when we were casting and I thought, “This is our Faye. She looks perfect!” And when we met her, we realized that not only did she look the part, but that girl could act! And incredibly, that wasn’t the best part about Olivia. The best part was how committed she was. On the first day, we shut her in a hot garage to shoot the green screen for the leaping shot. The next shoot, we stained her hands red with blood, put her up a tree, and made her run around in the woods. On the third shoot, we sprayed her down with water until she was shivering. And still, she didn’t even blink when we told her we wanted her to walk into the ocean in December. She was serious about her craft and what we were doing. And it shows.

Then there was Brian, our director, who got up before dawn to go out into the ocean with Tony and get the underwater footage. Who refused to give up our original vision when I was overwhelmed by how complicated and time-consuming the trailer had become and wanted to quit. Who imagined the epic shot of Faye leaping out of the ocean and convinced us all to think big.

And Jason, who worked all day and late into the night on the Glee set, only to wake up early (and sick!) for a 10 hour shoot. And at the end of the day, he still managed to do the incredible, creepy lighting for the shot of Faye waking up on the cement floor, hands covered in blood.

I have stories like this for all of our cast and crew. All of them taking time out of their professional lives to volunteer to make this trailer. Honestly, it leaves me speechless. I cannot really express how grateful I am for the wonderful, talented, creative people who made Harbinger come to life. Thank you.

When I watch this trailer, what is clear to me is this: it has a life and momentum of its own. People jumped in with both feet and made it theirs. The Harbinger trailer may have started off as my vision, but it became everyone’s. A fantastic conglomeration of long days and pizza and generosity and so much talent. Thank you to everyone who worked on this. One year, 5 film shoots, 6 locations, and 50 people later…we have a trailer!

And here’s a little behind-the-scenes montage of my own to show you exactly what I mean.

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Most of the footage in the “Making of” is taken on my little Flip camera and the wonderful, surfy soundtrack is courtesy of The Ghosts of Searchlight. As I previously noted, I have NO experience with making movies and this is my first dabbling with Adobe Premiere, so you’ll have to take it for what it is, just a fun compilation of candid moments. But you can clearly see how much time and love people put into this!

Before I go… I have some more thank yous!

To Brian Horn, Kim Kotis Horn, and Tony Etienne, who dreamed up this trailer with me at the beginning, who rethought and reimagined it over and over, until it became the best possible version of itself! Thank you from the bottom of my heart!

To Ryan Harvie, who is a wonderful producer and whose constant vigilance about the details (and gift of a Tribble) allowed me to regain my sanity.

To all our talented actors! Olivia Delgado, Katy Yoder, Patrick Ward, and Barbara Witzer Banner…thank you for bringing my characters to life! You are amazing!

To our tireless film crew, Lucas Merino, Jason Puliti, Justin Talbott, and Tyler Beauregard…thank you so much for all your care and craft! It was amazing watching you work…magic!

To Leigh Bardugo,who took time to be our make-up artist for the first 2 shoots, even though she was on deadline for her book. She is an amazing new author and her book SHADOW AND BONE completely blew me away! It comes out in June, 2012 and believe me, you do not want to miss it!

To Ryan and Jenn Bosworth, for not just the use of their greenscreen, but for Ryan’s incredible help during the shoot. Ryan is an incredible director in his own right. And Jenn Bosworth is another fellow author whose riveting book STRUCK is coming out May 2012. Keep your eyes out for her book trailer coming out soon!

To Angela Blake, make-up artist extraordinaire, who gave so much to this trailer and was so fun to have on set. You’re amazing!

To Omar Fadel and Brian Horn (multi-talented!), whose music gave this trailer its ambiance and soul.

To Gail, another fantastic writer and friend, for letting us take over her house and yard for an entire day!

To Steeg and Lisa, who also graciously allowed us to monopolize their house. You made Holbrook come to life!

Bonfire!! Photo by Rita Crayon Huang

To Mandy Walls and Rita Crayon Huang, who took wonderful photos of our shoots!

To Tony (again!) for your amazing visual effects work! Faye’s leap takes my breath away.

To so many other wonderful people whose generosity, talents, and time made this happen… thank you Ryan Doolittle, Matias Volkert, Rohan Chitrakar, Sean Morris, Brandon Martin, Jeff Beeland.

And last but not least, Damon Nagami and all to our bonfire dancers! Thank you, friends, for braving the cold (and the fire!) to make that scene amazing! And for wrapping up the trailer shoot with a bang!

 

 

 

 

HARBINGER Book Trailer!

“In a world…” says the ominous voice-over, “…where authors create book trailers: against all odds, one lone author and an incredible group of devastatingly talented and beautiful friends make the trailer to end all trailers. Or at least one that’s pretty friggin’ awesome.”

So grab your popcorn and get comfy. Now without further ado, I give you HARBINGER.

*squeeeeeeeeeeeeeeee*

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If this made you wish you had a sneak peak of the book, right now there are two ways to to win an advance reader copy of Harbinger!

Visit The Story Siren, who is most wonderfully hosting this week’s reveal!

Go to Goodreads and enter to win an ARC from Penguin!

P.S. Immense thanks to Olivia Delgado, who did such an incredible job playing Faye; Brian Horn, who directed the trailer; Ryan Harvie, who produced it; and everyone who worked so diligently to make the HARBINGER trailer! I’ll be devoting my next post to all of you and the awesomeness that was filming this. Also, on Monday, I’ll be posting a fun “Making Of” video of behind-the-scene snippets I filmed with my little Flip camera when I should’ve been helping out:) See you all then!