Follow the Path! 25 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock. On March 3rd, all twenty-five illustrations will be shown at the Hive Gallery in downtown Los Angeles. Come join us!

This week’s art reveal is hosted by: io9!!!!

Click here to see the exclusive reveal of Andrea Offermann's incredible art on io9!

SWE: Hi Andrea!

Your picture of Faye and Maya is heart-stopping. Really incredible. Can you tell me a little bit about it?

Andrea: I was fascinated by your description of the red stain on Faye’s hands, and the design on the ground, also by the moment of suspense when Faye is afraid that she hurt Maya. It is such an intriguing scene that holds so many secrets, I wanted to try to capture that. I chose to show Faye as a silhouette to emphasize the fact that there is so much the reader and she herself don’t know about her at this point.

SWE: The silhouette is so powerful. I wouldn’t have ever imagined that an artist could get so much emotion from someone without seeing their facial expression…but Faye is so haunting here. It’s amazing.

How did you decide to become an illustrator?

I start working around mid-morning, between 9-10 am. Have to have a big mug of coffee with me, first check emails (since I am working with publishers in the US sometimes they will send emails when I have already gone to bed), then choose music or silence or audio book depending on what stage in the working process I am in (sketches=no sounds, refining sketches=music, finals=audio books), adjust work table (light box, drawing materials, paint or computer, depending on the stage I am in), start to work. My best work time is afternoon or late at night. I always have inspirational images around me, from the time period I am working in at the time, or nature of the area the story takes place, etc.

Andrea: Probably that decision developed out of reading. I read so many books that I wanted to see illustrated and/or thought “I would love to illustrate that…”

SWE: What was your favorite book when you were growing up, then?

Andrea: Hmm… as a kid I found this old YA book that had belonged to my mother, The Lion’s Paw by Robb White. In it two children run away from an orphanage and go on a sailing adventure together with another boy who is looking for his father. I loved this story and recently it fell into my hands and I read it again. The story was still as intriguing and adventurous to me as back then.

I also loved Michael Ende’s Momo and The Potion of Wishes, Hohlbein’s Märchenmond (Magic Moon.)

SWE: It’s fun to think that you had a whole different world of books growing up in Germany than I did here in the U.S. I think I’m going to have to check some of your favorites out!

Can you tell us a little bit about some of the work you’ve illustrated?

Andrea: I am working in different types of illustration genres, illustrating children’s books, creating short graphic novel type stories (for Flight), working for galleries and magazine. All of these areas are very interesting to me, and I want to continue to try out different things and especially keep working for galleries and graphic novels.

The Boneshaker illustrated by Andrea Offermann

In 2009 I was asked to illustrate The Boneshaker by Kate Milford, a YA steampunk novel, and had a blast! There was so much detail and atmosphere for me to draw upon to create my illustrations, and the reading age allowed me to work pretty freely and include some darker aspects, which I loved. I realized that YA is a very interesting age range to work for and I have worked on several more YA novels since. Of those, The Midnight Zoo by Sonya Hartnett stands out. This novel really challenged me, because it holds such a fine balance between gruesome truths and poetical allegorical meaning. Working on The Midnight Zoo taught me a lot about how to work with different voices of authorship. Luckily the editor of the book, Chris Paul, is fantastic, and lead me along.

SWE: So…Salty or Sweet?

Andrea: Sweet! :)

SWE: Me too. Chocolate especially!

Andrea: YES! Chocolate definitely! A must for all-nighters… :)

The Midnight Zoo illustrated by Andrea Offermann

SWE: What’s your favorite thing about working as an illustrator?

Andrea: That I get to read stories and then try to find an aspect to tell with my pictures that will enrich the experience for the reader.

SWE: Where do you go when you are seeking inspiration?

Andrea: Out into nature is always good, also Hamburg has an incredible harbour, the scale of the scene and the busy activitiy always calms me down and clears my mind. I go running or swimming as a meditation tool, and am always looking for and interested in stories around me, from friends, family. Also of course, traveling, visiting a new place is always fantastic inspiration, but that is not always possible. Impressions very opposite to the things I am working on at the time are often the best inspiration to look at my project from a new angle.

SWE: Oooo…I like that. Finding the opposite of what you’re working on…I’m going to try that next time I’m stuck.

Orangutans or squids?

Andrea: Hmmmmm…. I think squid.

SWE: Do you do other work outside of illustration?

Here Be Dragons by Andrea Offermann

Andrea: I work on personal projects for gallery and print, (it was so nice to see you at the opening at Thinkspace gallery!) and I definitely want to continue to work in that direction. It allows me to experiment and tell stories that I personally want to tell or think need to be told.

SWE: I’m glad you brought up the Thinkspace Gallery. Your exhibit there was incredible. Detailed and thoughtful and beautiful and heartbreaking. I was blown away.

What are you working on now?

Andrea: The prequel for The Boneshaker, The Broken Lands by Kate Milford, and a children’s book for the German book market. I will also participate in 1 or 2 group shows this year.

SWE: Do you have a superpower?

Interior illustration by Andrea Offermann for Ghost Knight by Cornelia Funke

Andrea: Superpower…… hm…… I like to IMAGINE I have superpowers…does that count? I am really near sighted, which also lets me see very fine detail (Ha! I guess that explains my illustration style!), and I can sleep anywhere, standing, sitting, doesn’t matter. I have fallen asleep in the middle of rock concerts, at the baggage belt of the airport, even while I was TALKING to people… ok that doesn’t sound like very good superpowers…

SWE: Wonder Woman or Supergirl?

Andrea: Ooh, I didn’t grow up with them, so I don’t know…. :)

SWE: I guess I’ll let it slide then.

Andrea: Can I offer my superhero of kindergarten days as a substitute? The Very Hungry Caterpillar! She just got to eat and eat and eat (which WAS and IS one of my favorite pastimes), and in the end, she transformed into a superhero with an awesome costume and one of the coolest superpowers: flying!

SWE: I love the view of the Very Hungry Caterpillar as a superhero. You are so right!

Thanks Andrea! Don’t forget to check out Andrea’s website, her gallery exhibit at Thinkspace, and the books she’s illustrated!

Follow the Path! 25 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock. On March 3rd, all twenty-five illustrations will be shown at the Hive Gallery in downtown Los Angeles. Come join us!

This week’s art reveal is hosted by: Lindsay Writes

Faye's boots from Harbinger. Artwork by Mary Peterson.

SWE: Hi Mary Peterson!

Wow! That’s two Mary’s in a row! How strange.

Anyway, I love your iconic boot image. It’s so detailed and textured, while retaining simplicity. Can you tell me why you chose Faye’s boots?

Mary P: Faye is dealing with a lot for a 16 year old. She’s suddenly yanked from her home and put into a rigid, scary institution, she has strange and frightening visions, no friends. Yet, from her first night at Holbrook Academy she is determined to find answers. Her boots are not only a symbol of the rough road she’s on but also her inner strength. The image is a two color linoleum block print.

SWE: I love your description of the piece and you accomplished just that. Faye’s boots are one of the very few things she has left from home and so it feels really right that you picked them. Also, I love how you added the ominous red, both in blocks and in subtle touches. The piece is great.

Piggies in the Pumpkin Patch by Mary Peterson and Jen Rofe.

Do you have a favorite kid’s book?

Mary P: One? there are so many wonderful books….so many reasons to love a book….but if I have to pick one, it’s Harry Potter and the Sorcerer’s Stone. It was the book that turned me on to the pleasures of the middle grade novel. Harry is nerdy and alone, he lives in a magical world where all things are possible, and it’s sweetly humorous.

SWE: I LOVE the Harry Potter books too. What about your own stories? Can you tell us a little about Piggies in the Pumpkin Patch?

Mary P: I wanted to make a book about the farm I grew up on. The piggies were my favorite–they were very deft at squeezing out from under their fencing which startled the chickens whose flapping wings would cause the piggies to scatter every which way. This was very comical to me as a kid. Jen Rofé and I wrote the story based on the piggies mis-adventures.

SWE: What about books you’ve illustrated?

Mary P: I’ve illustrated five picture books. Actually, one of them is a beginning reader, Wiggle and Waggle by Caroline Arnold (Charlesbridge). Wiggle and Waggle are crazy-lovable best friends. Their adventures center around the challenges of keeping a garden healthy. Wiggle and Waggle became a Bank Street College of Education Best Books of the Year recipient which makes me very proud.

Wiggle and Waggle illustrated by Mary Peterson.

SWE: Did you always know that you wanted to be an illustrator?

Mary P: As a kid I was the class artist and in college earned a BFA in studio painting. But it was my career as a graphic designer that eventually led me to my true love, children’s book illustration. Children’s picture books satisfy all my passions, graphic design, illustration and books.

SWE: What’s your favorite thing about the job?

Mary P: My favorite part is the quiet period of painting the finished artwork, after the book has been designed and the sketches approved.

SWE: I think I know what you mean, I love it when I can really sink into the story.

So…Orangutans or squids?

Mary P: Squids!

SWE: What do you do when you’re seeking inspiration?

I settle in to work about 9, after a long walk, coffee, breakfast and a little reading. My time is split between the computer, my drawing table and, recently, my letterpress. My tiny studio is floor to ceiling with books, art supplies and quirky objects that inspire that me...and the washer/dryer.

Mary P: I like to go anywhere there is lots of graphic stuff to look at. It doesn’t matter if its a used book store, a tourist shop in Chinatown or LACMA. If it’s printed on paper I’m inspired.

SWE: What about people who inspire you?

Mary P: My mom. She had her hands full raising kids and helping my dad with the family farm yet she always found time to draw. There was no motive in it aside from her love of creating an image. She was a wonderful portrait artist.

SWE: Your print of Faye’s boots is different than some of your more traditional illustration. Do you use that technique often?

Mary P: More and more. A few years ago, on a whim, I started taking letterpress classes and got hooked. I now own two small presses and an ever growing collection of metal and wood type that I play around with. This also led me to linoleum block printing which is the medium I used for Faye’s boots. This style is more in line with my “fine art” work which seemed appropriate for this piece. I love playing with new styles and materials.

SWE: What are you working on now?

Mary P: I’m currently working on Wooby and Peep by Cynthea Liu (Sterling, 2013). This is another book where the characters are over the top adorable. It’s a slapstick story of finding best-friendship.

I also design and print mini-broadsides that I sell in my Etsy shop and most recently I’ve been experimenting with artist books.

SWE: Any chance we could see a sneak peek of something from Wooby and Peep? Pretty please?

Wooby and Peep Book Announcement illustrated by Mary Peterson

Yay! Thanks! They’re so fun. I can’t wait!

Do you have a superpower?

"Liar, Liar" Letterpress art from Mary Peterson's Etsy's story.

Mary P: I have the power to make french fries disappear.

SWE: So…Wonder Woman or Supergirl?

Mary P: Wonder Woman.

SWE: Smart answer!

Thanks Mary!

To see more of Mary Peterson’s work make sure to visit her website and her shop on Etsy.

And don’t forget to check out Mary Peterson’s books!

PIGGIES IN THE PUMPKIN PATCH

WIGGLE AND WAGGLE

Follow the Path! 25 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock. On March 3rd, all twenty-five illustrations will be shown at the Hive Gallery in downtown Los Angeles. Come join us!

This week’s art reveal is hosted by: I Read Banned Books

Mary Etienne's Harbinger diptych. "She Felt Stronger" and "Better than What?"

SWE: Hi Mary Etienne!

Your diptych is incredible. I love the abstract, yet scenic qualities of your pieces. And with all these minute details….amazing. I love them! Can you tell me a little bit about what you’ve created here?

Mary E.: Reading Harbinger swirled me away!  So far away, in fact that I was in a deep quandary at first as to how to put any one piece of it into visual form. I stewed over ‘choosing’ for a good while.. deliberating and piddling without results until one day I took an extended trek through the neighborhood, and somewhere along in that walk, I gave up thinking, and decided to have fun with it.

So arriving back at the house, I picked up the novel, resolved to open it to any page and just “pick something”.  Halfway down that page I read these words: “And I already felt stronger with the watercolors in my hand.”  That sent me running upstairs to my studio!  I started with loose watercolor splashes and runs.  As I never had before, I actually watched closely as the millions of grains resisted and pushed against one another, some heading off in different directions and others blending together as they sped along.

Detail from "Better than What?" by Mary Etienne.

In those gorgeous rivers of moving pigments, I suddenly saw, how Faye must have felt – washed along in the turbulent flow of her life, being whirled and tossed and enveloped by frightening tides of emotional pain, and into the fear and urgency of the future.  Some of the experiments were so intriguing, I scanned them and began to work some parts of it together on my mac. Some of Faye’s confusion, and her sense of purpose too, amazingly made their way into my Harbinger compositions. There were a couple of key images that seemed to want their own space, so I decided to do a diptych!

Detail from "She Felt Stronger" by Mary Etienne.

SWE: Well I’m glad that you did! It’s wonderful! I know the actual pieces are really big, so I’m going to put in details of the diptych throughout the interview so that people can get a sense of the narrative that runs through your artwork.

Clearly you’re a storyteller, do you have any favorite kid’s books?

Mary E.: Call me old-fashioned but I love the Anne of Green Gables stories!  I’m just crazy about the ease with which she can plop me right into that buggy, and I am suddenly bumping along into the glorious landscape of Nova Scotia.  I have similar visions from my childhood summers in Wisconsin, (substitute the buggy for a ’54 Ford).  Ann Shirley was ”Me with Courage”…  she is an Unabashed Dreamer, living in a world of practical, disapproving, no-nonsense adults!  I’ve also enjoyed what I’ve read by Tamora Pierce…. (and yes, I am prejudiced) but Harbinger is my top choice (for the moment) — until its author’s next novel is released!

SWE: *blush* Oh, go on with you! I love the Anne of Green Gables books too. She is indeed a kindred spirit!

So when did you know you wanted to be an artist?

Mary E.: As soon as I could hold a crayon, I think.  As a small child, I carefully saved out the Christmas cards that had watercolor images on them, even before I knew what a “watercolor” was.  But I was gently steered toward teaching art because, in the olden days, having a girl go into ”commercial art”, was unheard-of. I am grateful now that I did teach, because it put me in a position to encourage the “Anne Shirley” in all kids.  I’ve seen statistics showing that over 90% of a child’s school day is spent in “left-brain” mode, so Art was a haven.

Mary teaching an art class in the backyard.

So I guess the moral of this story is “Keep Dreaming, always try to carve out at least a little time for yourself to be creative, but strive to be 100% where you are, grateful for what you have that is good, and life will take you where you are supposed to be”.  I’ve tried to impart that to my students and to our own kids, as well as endeavor to follow the advice myself.

SWE: I think you must have been a wonderful teacher to have!

So, Orangutans or squids?

Mary E.: Orangutans – they have SO much delightful personality!

SWE: What’s your favorite part of working as an artist?

Mary E.: Though I am a practicing artist, my “retired teacher” status brought with it the opportunity to return to the formal study of art, particularly, (good guess!) Watercolor!  I love going to class at the Indianapolis Art Center and watching how each student travels at his own pace, and moves through her own growth, and arrives at that unique style. It is glorious to be under the tutelage of a superb teacher and watercolorist, who makes us all feel like best friends and confidantes.  So I guess my favorite thing is finally having the time to create, and even perhaps discover my purpose!

SWE: Sounds lovely. What do you do when you’re in need of inspiration?

I'm happy pretty much anywhere. In the winter, I work in a spare upstairs bedroom where my aged studio desk sits facing a window on the street, and a small antique desk tolerates my mac. I keep a picture of and quote from Georgia O'Keeffe in front of my desk. Her toughness and determination remind me that, like her, I have to find "my own way" of painting! In the warm months I set up a table in our sun room. My husband spends a lot of time in the yard and garden and I like to feel a part of all that's going on out there -- squirrels raiding the bird feeders, dogs barking, kids yelling, typical midwest stuff.

Mary E.: I like to dig through boxes of ancestral photos and letters, (some part of me wants to create honored places for those dear words and images), I love to wander through fabric stores… sliding my hand over the aisles of silky, and fluffy and brocaded textures.

The best thing I’ve discovered as an aid to my creativity, (promise you won’t laugh) is a first-thing-in-the-morning, appointment with instrumental polka music while on the treadmill. I have recently begun to ”plaster” the unbeautiful basement wall (facing the treadmill) with images relating to my next, or current work. I just let the images “be” in front of me and take notes as inspiration pops up!

SWE: I love the idea of polka inspiration! Om-pa-pa!

What about people who inspire or influence you?

Mary E.: Not so much influenced, but supported — my dad understood my ‘dreamy” nature, and my Mom encouraged me to study Art. Recently though, I’m inspired by the gifted Irina Smulevitch, illustrious Russian-born watercolorist and joyful, fun-loving teacher!

SWE: What are you working on now?

Mary E.: I am working on a series of watercolors of women of previous generations. The first of these is “The Letter”. The subject is a dear friend’s grandmother, who grew up next door to the Edison family.  I love images that provoke memories of strong, or intriguing personalities. The second of the series is inspired by a 1929 shot of my mother, Rose, posing on the hood of an automobile documented as “Johnny’s Oakland.”

SWE: So…Do you have a superpower?

Detail from "Better than What?" by Mary Etienne

Mary E.: Gosh, this one is really elusive.  I can imagine what my kids might say: “Mom’s dangerous with a camera – Hide!”;  My husband: “Best Chicken Curry this side of the Atlantic”; or “She can decorate a birdhouse even Chicken Little would feel safe in”. Yeah, what’s with the chicken references??

Well, okay, my hope is that I’ve helped shine a light on kids’ (and some adults) creative potential, and helped them believe in themselves.

SWE: So… Wonder Woman or Supergirl?

Mary E.: Wonder Woman!!  I’ve never heard of  – ??   “SuperGirl”, was it???

SWE: Thanks Mary!

To see more of Mary’s work, check out her website!

Follow the Path! 25 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock. On March 3rd, all twenty-five illustrations will be shown at the Hive Gallery in downtown Los Angeles. Come join us!

This week’s art reveal is hosted by: I Am A Reader, Not A Writer

Faye's Red-Stained Hands by Angela Matteson

SWE: Hi Angela,

I love your portrait of Faye! The texture and patterns are amazing. Can you tell me a little bit about this piece?

Angela: I loved the mystery of Faye’s red stained hands, and as I love to work with limited color palettes I was drawn to focus on this powerful color.

SWE: Well, the limited color palette really works for you. It’s simple, yet very complicated. Wow.

Did you have a favorite book growing up?

Angela: As a kid the first series I was immensely excited about was The Chronicles of Narnia. It was like finding buried treasure on the shelf. I remember devouring it, and being so eager to go back into that world where anything could happen, and where the rules of our world didn’t necessarily apply. Recently, I finished The Golden Compass series along with every related Pullman short story I could find, and felt that same excitement, although the themes appeal to me even more. Philip Pullman is brilliant!

SWE: I’m right there with you on both series! Narnia was one of those early worlds for me too. And the Golden Compass books blew my mind. I think you could read those over and over and still find new things to think about.

Did you always know you wanted to be an artist?

Artwork by Angela Matteson

Angela: My parents provided me with a multitude of art supplies as a kid, but I thought that was fairly normal for all kids. Don’t we all start out creating? It was in middle school when I started drawing cartoon characters that my interest in studying all aspects of art grew. We had a subscription to Artist Magazine, and when I saw there were 4 year art colleges I set my sights on attending, and never looked back.

SWE: Orangutans or squids?

Angela: Baby Orangutans definitely score higher on cuteness. Have you seen them on Zooborns? Squids aren’t even listed on their site, which may be considered squid discrimination.

SWE: Clearly this is something we need to get to the bottom of!

In the meantime, what’s your favorite thing about the job?

Angela: Creating things that don’t exist yet. Playing with color, lines, endless possibilities…

SWE: Where do you turn when you need inspiration?

I like to settle into a comfy spot on the couch to sketch. On a good day, I'll sketch in the park. Then, once the drawing is transferred I migrate to my drafting table to paint through many late nights while listening to audiobooks.

Angela: The internet provides endless inspirations. I love when one artist leads to another. I’m inspired by many European and South American artists. I also go through stacks of picture books from the library. But, there are times when I just need to completely get away, and take a hike through the woods. It helps ground me.

SWE: I like the idea of one artist leading to another. Research is like that for me. One strange, wonderful fact leading to the next.

What about people who inspire you?

Angela: There are so many artists who inspire me on a daily basis. Two who have been strong influences are Rebecca Dautremer and Ofra Amit. Their brilliant work astounds me. The perseverance of my illustrator friends also inspires me. Everyone always has something wonderful to share.

SWE: What are you working on now?

Angela: I’m working on new painting commissions, and planning out a solo show of 10-15 pieces opening in December. I’m also planning to open an Etsy shop to sell original paintings such as Robin Chick & Batman Penguin, and prints.

Robin Chick and Batman Penguin by Angela Matteson

SWE: They are sooooo cute! I love them!

Do you have any superpowers?

Angela: Yes, I have that superpower many creatives have. The one where the tighter the deadline the more productive I become….often on little sleep. This power becomes even stronger late at night. I’m sure you share this power as well.

SWE: Do I ever. Especially recently!

So…Wonder Woman or Supergirl?

Angela: I grew up watching Linda Carter as Wonder Woman, and she rocked! She was intelligent and strong. Supergirl will always be in Superman’s shadow.

SWE: You speak the truth!

Thanks so much, Angela! To see more of Angela Matteson’s art or get prints of her wonderful work, check out Angela’s portfolio and her blog.

Follow the Path! 25 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock. On March 3rd, all twenty-five illustrations will be shown at the Hive Gallery in downtown Los Angeles. Come join us!

This week’s art reveal is hosted by: Pure Imagination

Faye from Harbinger. Illustrated by Israel Sanchez

SWE: Hi Israel!

I love your portrait of Faye at the window, with the nails, and the water flooding in. Can you tell me a little about why you picked that scene?

Israel: I chose the moment when Faye throws the nails out the window because it was one of the few times early on in the book when she was in control of herself and everything around her. It was a moment of defiance that no one saw. I also thought that it would make an interesting image, a quiet moment with lots of meaning.

SWE: I love your description of that. “A moment of defiance that no one saw.” And Faye looks so strong in your picture. It’s wonderful!

Did you have a favorite book when you were growing up?

Israel: My favorite Young Adult book is Where The Red Fern Grows. I still look to books and movies about kids growing up and facing adult challenges. The story of a young boy learning about the hard parts of life and how to get through them was a big inspiration for me when I was young. On top of that, it’s a great adventure story.

SWE: I remember really liking that when I was growing up too…though its been a while. I know what you mean about liking books that show the character navigating the hard parts of life. We often need all the help we can get.

When did you know you wanted to be an illustrator?

Cyclops! by Israel Sanchez from FLIGHT 4 anthology

Israel: I’ve always known I wanted to be an artist but I knew I wanted to be an illustrator the first time I saw the work that N.C. Wyeth created for Scribner’s classic books. My teacher, Marshall Vandruff, would show slides of the paintings projected at a giant size. The color, composition, and staging in them just blew me away.

SWE: It’s be hard not to be inspired by N.C. Wyeth! I love his stuff. And he really knows how to pick his moments, doesn’t he?

Orangutans or squids?

Israel: Orangutans, because you can shake hands with them.

SWE: But you’re pretty daring if you do! Though perhaps trying to shake hands with a giant squid might be more dangerous!

What about your own work? What have you been up to?

Israel: I have written and illustrated comic stories for the Flight anthology and Nickelodeon Magazine. I also freelance as a background artist for Titmouse Animation.

SWE: I love the Flight anthologies! Can we see any of your work from them? Thanks!

Israel: Sure this is from my story “Cyclops!” Flight really helped me learn about telling stories with pictures.

I work at a computer or at a drafting table depending on the project I'm on and who it's for. I don't have many pictures taped up around me for inspiration but I do have a lot of art books that I look at when I need a little bit of a creative push. I listen to music when I work but it has to be something I know, otherwise I get distracted by it.

What else have you been working on?

Israel: I do paintings for local gallery shows every now and then. It keeps me in practice painting, especially when I’ve been working on the computer too long.

I am currently working on my first picture book, “The Dinosaur Tooth Fairy” by Martha Brockenbrough, for Scholastic and due out in this year. It’s been a blast to work on and I can’t wait for it to come out.

SWE: What’s your favorite thing about illustration work?

Israel: My favorite thing about being an illustrator is the challenge of having to solve a problem and come up with an entirely new piece of artwork each time I’m given an assignment.

SWE: What do you do when you need a little inspiration?

Israel: I get inspired mostly by being outside. A camping trip or even just a short walk through my neighborhood is enough to get my ideas going. I don’t know why exactly, I guess the rhythm of a walk makes it easier to get and focus on ideas.

SWE: Yeah, I take walks too. And showers. One of them usually does the trick.

What about people that inspire you?

A color study for Dinosaur Tooth Fairy illustrated by Israel Sanchez

Israel: I can’t pick one person so I’ll say that all of my artist friends inspire me. Seeing the amazing work they create gets me excited for my own projects.

SWE: Can you tell us a little bit more about The Dinosaur Tooth Fairy and what it’s been like to work on it? And maybe give us a sneak peek?

Israel: This is the first picture book I have illustrated. Although it’s been fun to work on, it has been a challenge, especially when figuring out how to create images that support the story while being fun to look at. It’s been a great learning experience and I hope to have the chance to do it again soon.

Babushka Bear by Israel Sanchez

SWE: Do you have a superpower?

Israel: I have the power to stay up working so late that I get to see the sun rise in the morning, but I’m learning that the power fades with age.

SWE: So…Wonder Woman or Super Girl?

Israel: Wonder Woman. I think it’s the outfit.

SWE: Is it ever! Thanks Israel! To see more of his work, check out Israel’s website. And don’t forget, Dinosaur Tooth Fairy will be out later this year!

Follow the Path! 24 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock. On March 3rd, all twenty-five illustrations will be shown at the Hive Gallery in downtown Los Angeles. Come join us!

This week’s art reveal is hosted by: Stories and Sweeties

Faye waking up the first morning from Harbinger. Illustration by Su Moon

SWE: Hi Su!

I love this illustration you’ve done of  Faye and Maya waking up in their Holbrook dorm room.  The strong reds and oranges do so much for the tension in their scene. Can you tell me why you chose to portray this?

Su: The moment of shared fear and sympathy between Faye and Maya lingered with me long after I read the scene.

SWE: Well, your illustration certainly lingers with me!

When did you first know you wanted to be an artist?

Su: I was premed in college, and after graduating much impoverished, I took time off to consider my options beyond medschool. I moved to NYC in the winter and walked through a blizzard to snag a job with a creative talent source book. It was my first exposure to professional illustrators and designers making a living creating art. The possibility never occurred to me before!

I’m also interested in writing, so animation and picture books seemed a natural way to integrate art and story. I moved to LA, got into animation and joined a writing group and SCBWI.

SWE: I know what you mean. I studied science in college and even though I loved writing and books, even though I came from a family with a deep love of books and bookstores, it took a long time for me to realize that being a writer was something that I could actually do.

Do you work as an artist full time now?

Wombat G'Day...an illustration from a picturebook dummy by Su Moon

Su: By day, I design cartoons for Warner Bros. Animation. It’s challenging, and frequently enjoyable.

SWE: Sounds awesome!

So…Orangutans or squids?

Su: I’m Korean — squids, for sure.

SWE: Ha!

Growing up, did you have a favorite book?

Su: My favorite book as a kid was an orange, pleather bound copy of the Jehovah’s Witness “My First Book of Bible Stories”. The technicolor illustrations of Old Testament stories –Jezebel’s red claws and all those hairy sons of Adam — were terrifying.

The Dark is Rising fantasy series by Susan Cooper, was a favorite, too. These days, I love Sherman Alexie’s The Absolutely True Diary of a Part-Time Indian and David Small’s graphic novel, Stitches.

I have a day job, so I don't settle into my personal work until late. I work on a Mac and Cintiq, surrounded by paper... I'm a fan of post-its and yellow legal pads.

SWE: I love the Dark is Rising series too! And The Absolutely True Diary of a Part-Time Indian is also one of my “new” favorites. Sadly, Stitches is still sitting on my to-read shelf…but I’ll get to it!

What’s your favorite thing about the job?

Su: When drawings make me laugh.

SWE: Nice!

What do you do when you need some inspiration?

Su: I walk and doodle for inspiration. But, frustration and deadlines are also great motivators.

SWE: So true!

What about people who inspire you?

Su: My parents and their perseverance.

Illustration from a picturebook dummy by Su Moon

SWE: What are you working on right now?

Su: An animation pitch and revising two picture book dummies.

SWE: Can we see any sneak peeks of what you’re working on?

Yay! Thanks for the preview!

Do you have any superpowers?

Su: I’m still hoping to manifest some one day!

SWE: So the all important question…Wonder Woman or Supergirl?

Su: Old-school Lynda Carter Wonder Woman!

SWE: Me too! I love her spin-change! Thanks Su! If you’re interested in seeing more of Su Moon’s work, you can contact her agent!

Follow the Path! 24 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock…

This week’s art reveal is hosted by: Supernatural Snark

Faye from Harbinger. Illustration by Jane Smith.

SWE: Hi Jane!

I love your illustration of Faye with the skeleton animals. It’s both adorable and creepy, which is a unique mixture. Can you tell me a little about the piece?

Jane: The Harbinger illustration I created is a scene from Faye’s past, prior to her time at Holbrook. She is down near a polluted river communing with the bones of deceased animals.

I chose this scene as a way to introduce Faye’s character thru her relationship with the natural world around her. In this scene, Faye’s interaction with the animal’s haunting skeletons is also a foreshadowing of what is to come, but yet is still mysterious enough to not actually give away any of the juicier bits of the story!

SWE: Well, you did an amazing job. It has an innocence to it that I love to think young Faye had…the wonder that she felt when she found these skeletons.

So, do you have a favorite kid’s book?

Cover of Babybug by Jane Smith.

Jane: Growing up I was a prolific reader and had tons and tons of favorites (my mom was a librarian!), but as of today, my favorite YA novel is “The Tribes of Palos Verdes” by Joy Nicholson.

This is a surf novel, and I’m a total sucker for a great surf novel. I stink at surfing, but I’ll always remember the only two waves I ever caught. It was like magic dropping down the face of those waves. And a great story like this lets me have the thrill of being a surfer for an afternoon, without the 5am alarm or the freezing cold water!

SWE: Wow. That is definitely going on my to-read list. It sounds amazing. What about your own stories and art?

Jane: I have illustrated numerous products (books, magazines, posters and more!) for children and have art directed & designed over 30 children’s books. Among my favorite projects is Five Silly Pumpkins, a mini pop-up book, which I illustrated, Fairytale Mix-Up, a mix-and-match pop-up book, which I wrote, and Ten Friendly Fireflies, an appearing LED light book, which I designed. My artwork has also appeared on the cover of Babybug and New Moon Magazines.

An illustration by Jane Smith from Five Silly Pumpkins

SWE: I love that your illustration work often breaks out of the traditional forms, becoming 3D pop-ups and lighting up!

Do you do other creative work outside of illustration?

Jane: When I’m not illustrating and writing for the publishing world, I am busy creating my collection of original, one-of-a-kind artwork and apparel for my Etsy store, Super Hoot. The collection features mixed media collages on canvas, sewn cloth collages on clothing and charming, handmade pants and tote bags for children.

Super Hoot! Clothes by Jane Smith

SWE: Sounds lovely! I love your Superhoot stuff! I just wish I could wear it!

Have you always known you wanted to be an artist?

Jane: I’d have to say I did not choose to become an Illustrator/Artist. The profession most definitely chose me! As to why, I’d say it is a mystery of the soul. I’ve always been compelled to create, to draw, to collage, to tell stories. It is a creative force within that simply demands to be in the driver seat, and I see it as my mission in life to try my best to not get in the way of myself.

SWE: Very smart…I definitely get in my own way a lot. I like the picture of my creative self being in the driver’s seat. Maybe thinking about it that way will help!

So…Orangutans or squids?

Jane: Squids. Giant squids. Giant squids battling prehistoric sharks. (Now I’d like to watch THAT movie!)

I settle down to work in the afternoons. Since I have a young daughter, my work schedule revolves around her time with her dad and an excellent part-time nanny. I find I need to clear out distractions to properly think, and I need to be alone to be productive! It can take a little bit of time to settle down, relax and begin working. Shifting gears between chasing an energetic toddler around and around and sitting down at my desk to work takes more than a couple beats. I usually begin by doing ticktack stuff like checking email, sending out invoices, and logging receipts, before I get down to the business of drawing, collaging and writing. Sometimes I listen to music. Sometimes I put a TV show on in the background. And sometimes I need silence!

SWE: Me too!

What’s your favorite thing about your job?

Jane: Those long, quiet afternoons when I’m so deeply involved in a new illustration that everything else falls away.

SWE: Yes. That’s what I live for too!
How about when you need inspiration… what do you do?

Jane: I find inspiration reading books, visiting art museums, going to see live music, running along the beach and in the woods, watching TV shows, going to roller derby, watching basketball games, hanging out with my family, flipping thru magazines, cooking, shopping on Etsy, strolling thru flea markets, dining out at my favorite restaurants and eating cupcakes. When I need to be inspired, basically, I let go of “work” and venture out into the world to enjoy myself!

SWE: What about people that inspire you?

Jane: For me, this is an impossible question to answer! There are so many amazing artists that have contributed to the creation of my own personal aesthetic. So to name a few, and certainly not all: Robert Rauschenberg, Jackson Pollock, Mark Rothko, Louise Nevelson, Franz Kline, Edward Hopper, Ben Shahn, Edward Weston, Eric Carle, Leo Lionni, Ezra Jack Keats, Elijah Pierce…

SWE: What are you working on now?

Jane: As always, I have several new book dummies in progress, which when finished, will be submitted to publishers for publication. Recently, I finished up a couple new images for Babybug Magazine, which includes the cover art for the April 2012 issue. Also, you can see my artwork in the Nightmares & Lullabies exhibit opening February 4^th at the Hive Gallery in Los Angeles. And of course, sewing new products for Super Hoot!

Super Hoot! Art by Jane Smith.

SWE: Do you have any super powers?

Jane: I’m afraid not. But if I did, I know exactly which super power I would want to have. The power to always be refreshed! Image how much more I could get done every day…

SWE: Smart!

Last but certainly not least, Wonder Woman or Supergirl?

Jane: Wonder Woman! What else could you possibly call an Artist-Illustrator-Mama-Writer-Runner?!

SWE: Thanks, Jane! It’s be so much fun talking to you!

Don’t forget to check out Jane’s art portfolio, her blog, and her Etsy store, Super Hoot!

I had no idea.

Photo by Mandy Walls.

I remember my friends Brian and Kim’s faces when I pitched them the idea. “So… I was thinking we could do a montage, right? ‘Cause then we could show all this stuff that happens in the book and it’ll be easier, ’cause it’ll just be little snippets.”

*blink, blink*

They already knew then what I was about to learn. Montages are one of the hardest things to do, because you have to film so many scenes, in so many different locations. But evidently, my enthusiasm was catching, because Brian and Kim decided to follow me into the madness and awesomeness that was making the Harbinger trailer. And over the course of the next year, I learned something else important.

Making movies is AWESOME.

Okay. Some of it _was_ running around with a camera.

I’d only been on a real set once before and I’d never made anything of my own. So somewhere in the back of my mind, I thought we’d kinda just run around southern California with a camera and a couple actors and shoot stuff. Not so. Because if I’d really thought about it, I’d have realized that filming takes a lot of specialized equipment and people with even more specialized skills. And my favorite part about making the trailer was watching people work, watching how skilled people can use amazing angles and lighting and performances to transform a set into a movie. I loved learning how you bring a story to life. Especially because this was my story!

But the best part about making this trailer was also the hardest part. People. Making something like this takes a lot of very talented, very skilled people. And again, I was blown away and fascinated by what these wonderful people could (and would!) do.

The ocean might have been a little chilly. Sorry, Olivia!

Let’s take Olivia, for example, clearly the most visible part of the trailer. I saw her photo when we were casting and I thought, “This is our Faye. She looks perfect!” And when we met her, we realized that not only did she look the part, but that girl could act! And incredibly, that wasn’t the best part about Olivia. The best part was how committed she was. On the first day, we shut her in a hot garage to shoot the green screen for the leaping shot. The next shoot, we stained her hands red with blood, put her up a tree, and made her run around in the woods. On the third shoot, we sprayed her down with water until she was shivering. And still, she didn’t even blink when we told her we wanted her to walk into the ocean in December. She was serious about her craft and what we were doing. And it shows.

Then there was Brian, our director, who got up before dawn to go out into the ocean with Tony and get the underwater footage. Who refused to give up our original vision when I was overwhelmed by how complicated and time-consuming the trailer had become and wanted to quit. Who imagined the epic shot of Faye leaping out of the ocean and convinced us all to think big.

And Jason, who worked all day and late into the night on the Glee set, only to wake up early (and sick!) for a 10 hour shoot. And at the end of the day, he still managed to do the incredible, creepy lighting for the shot of Faye waking up on the cement floor, hands covered in blood.

I have stories like this for all of our cast and crew. All of them taking time out of their professional lives to volunteer to make this trailer. Honestly, it leaves me speechless. I cannot really express how grateful I am for the wonderful, talented, creative people who made Harbinger come to life. Thank you.

When I watch this trailer, what is clear to me is this: it has a life and momentum of its own. People jumped in with both feet and made it theirs. The Harbinger trailer may have started off as my vision, but it became everyone’s. A fantastic conglomeration of long days and pizza and generosity and so much talent. Thank you to everyone who worked on this. One year, 5 film shoots, 6 locations, and 50 people later…we have a trailer!

And here’s a little behind-the-scenes montage of my own to show you exactly what I mean.

Click here to view the embedded video.

Most of the footage in the “Making of” is taken on my little Flip camera and the wonderful, surfy soundtrack is courtesy of The Ghosts of Searchlight. As I previously noted, I have NO experience with making movies and this is my first dabbling with Adobe Premiere, so you’ll have to take it for what it is, just a fun compilation of candid moments. But you can clearly see how much time and love people put into this!

Before I go… I have some more thank yous!

To Brian Horn, Kim Kotis Horn, and Tony Etienne, who dreamed up this trailer with me at the beginning, who rethought and reimagined it over and over, until it became the best possible version of itself! Thank you from the bottom of my heart!

To Ryan Harvie, who is a wonderful producer and whose constant vigilance about the details (and gift of a Tribble) allowed me to regain my sanity.

To all our talented actors! Olivia Delgado, Katy Yoder, Patrick Ward, and Barbara Witzer Banner…thank you for bringing my characters to life! You are amazing!

To our tireless film crew, Lucas Merino, Jason Puliti, Justin Talbott, and Tyler Beauregard…thank you so much for all your care and craft! It was amazing watching you work…magic!

To Leigh Bardugo,who took time to be our make-up artist for the first 2 shoots, even though she was on deadline for her book. She is an amazing new author and her book SHADOW AND BONE completely blew me away! It comes out in June, 2012 and believe me, you do not want to miss it!

To Ryan and Jenn Bosworth, for not just the use of their greenscreen, but for Ryan’s incredible help during the shoot. Ryan is an incredible director in his own right. And Jenn Bosworth is another fellow author whose riveting book STRUCK is coming out May 2012. Keep your eyes out for her book trailer coming out soon!

To Angela Blake, make-up artist extraordinaire, who gave so much to this trailer and was so fun to have on set. You’re amazing!

To Omar Fadel and Brian Horn (multi-talented!), whose music gave this trailer its ambiance and soul.

To Gail, another fantastic writer and friend, for letting us take over her house and yard for an entire day!

To Steeg and Lisa, who also graciously allowed us to monopolize their house. You made Holbrook come to life!

Bonfire!! Photo by Rita Crayon Huang

To Mandy Walls and Rita Crayon Huang, who took wonderful photos of our shoots!

To Tony (again!) for your amazing visual effects work! Faye’s leap takes my breath away.

To so many other wonderful people whose generosity, talents, and time made this happen… thank you Ryan Doolittle, Matias Volkert, Rohan Chitrakar, Sean Morris, Brandon Martin, Jeff Beeland.

And last but not least, Damon Nagami and all to our bonfire dancers! Thank you, friends, for braving the cold (and the fire!) to make that scene amazing! And for wrapping up the trailer shoot with a bang!

So grab your popcorn and get comfy. Now without further ado, I give you HARBINGER.

*squeeeeeeeeeeeeeeee*

Click here to view the embedded video.

If this made you wish you had a sneak peak of the book, right now there are two ways to to win an advance reader copy of Harbinger!

Visit The Story Siren, who is most wonderfully hosting this week’s reveal!

Go to Goodreads and enter to win an ARC from Penguin!

P.S. Immense thanks to Olivia Delgado, who did such an incredible job playing Faye; Brian Horn, who directed the trailer; Ryan Harvie, who produced it; and everyone who worked so diligently to make the HARBINGER trailer! I’ll be devoting my next post to all of you and the awesomeness that was filming this. Also, on Monday, I’ll be posting a fun “Making Of” video of behind-the-scene snippets I filmed with my little Flip camera when I should’ve been helping out:) See you all then!

Follow the Path! 24 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock…

This week’s art reveal is hosted by: Electrifying Reviews

Faye in Socialization Class from Harbinger. Artwork by Wilson Swain.

SWE: Hi Wilson,

Your picture of the Socialization class is super intense! Your depiction of Faye and her classmates facing off with “Auntie” has a disturbing, dark quality that really matches the scene. I love it! Can you tell me a little about why you chose this moment to illustrate?

Wilson: I really loved the scene inside the classroom where Auntie dominates the family.  At this point in the plot there are echoes from a hidden life, and I wanted the woods to be a secondary, constant presence.  The nerf ball holds power, not literally, but figuratively.  The idea of an object to which we’ve attributed grander meaning holds a lot of potential.  That’s the imagery I wanted to work with.

SWE: I think you portrayed that beautifully. I’m blown away by your piece. Did you always know you wanted to illustrate?

Wilson: I’ve always drawn, and crafting a narrative visually makes my heart beat.  Illustration goes beyond highlighting and clarifying the story–it’s a way of creating your own language.

The Castaway Pirates illustrated by Wilson Swain

SWE: What a lovely way of putting that. And so true.

Did you have a favorite book as a kid?

Wilson: Charlie and the Chocolate Factory was the only book I read over and over as a child. I did a number of illustrations for it some years ago as promotional pieces. Roald Dahl still makes me laugh.

SWE: I love Roald Dahl too. I think Matilda is my favorite of them…but Charlie and the Chocolate Factory is definitely a close second. Dahl’s worlds always have these oppressive adults that control everything, which is how I felt as a kid. But I love that the kids not only win out, but often get wonderful vengeance.

What about your own work? What sorts of other stories have you illustrated?

A Nutty Nutcracker Christmas, illustrated by Wilson Swain

Wilson: I’ve illustrated a pop up adventure: The Castaway Pirates and the musical storybook, A Nutty Nutcracker Christmas.

Right now, I am working up a few retellings of some classic stories.  I have several commissions I’m working on, and Castle of Shadows, by Ellen Renner will be released by Houghton Mifflin next year.  It’s a chapter book featuring a cover and interior illustrations created by yours truly.

SWE: Wow, you sound busy. I’m a HUGE fan of your work, so that makes me happy!

Can we see any sneak peaks from The Castles of Shadows?

Castles of Shadows by Ellen Renner. Illustrated by Wilson Swain

SWE: Orangutans or squids?

Wilson: You can’t make me choose.

SWE: Fine! Then, what’s your favorite thing about illustrating?

Wilson: The freedom. I love working at home at odd hours. I also love the fact that I can justify my interest in absolutely everything and chalk it up to research.

SWE: That’s totally one of my favorite parts too. No experience is a waste of time, no matter how unpleasant or strange. It means that even waiting in line at the post office can be an inspiring activity…

Where do you usually turn for inspiration?

Wilson: I watch a lot of documentaries, and I look through many, many books.  I love going to a bookstore or to the library.  I’m also in love with LA history–its architecture and its film roots.

SWE: What about people who inspire you?

Elmo and Wilson

Wilson: I pay very close attention to the inner workings of the Muppets, so it would be hard not to say Jim Henson.  But I truly am inspired by an ocean of artists and designers. What I find most inspiring is when a creative storyteller transcends the world he designs to make the one we live in better.

SWE: Wow. I love the way you put that…transcends the world…that’s what all art and stories are really about, aren’t they.

Speaking of stories and art…Wonder Woman or Supergirl?

Wilson: You can’t make me choo…Wonder Woman.

SWE: Yay! Thanks so much, Wilson. You can see more of Wilson’s art at his website and www.thumbnailtravelogue.com.

And make sure to check out Wilson’s books!

The Castaway Pirates: A Pop-Up Tale of Bad Luck, Sharp Teeth, and Stinky Toes

A Nutty Nutcracker Christmas

Castle of Shadows