Follow the Path! 25 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock. On March 3rd, all twenty-five illustrations will be shown at the Hive Gallery in downtown Los Angeles. Come join us!

This week’s art reveal is hosted by: io9!!!!

Click here to see the exclusive reveal of Andrea Offermann's incredible art on io9!

SWE: Hi Andrea!

Your picture of Faye and Maya is heart-stopping. Really incredible. Can you tell me a little bit about it?

Andrea: I was fascinated by your description of the red stain on Faye’s hands, and the design on the ground, also by the moment of suspense when Faye is afraid that she hurt Maya. It is such an intriguing scene that holds so many secrets, I wanted to try to capture that. I chose to show Faye as a silhouette to emphasize the fact that there is so much the reader and she herself don’t know about her at this point.

SWE: The silhouette is so powerful. I wouldn’t have ever imagined that an artist could get so much emotion from someone without seeing their facial expression…but Faye is so haunting here. It’s amazing.

How did you decide to become an illustrator?

I start working around mid-morning, between 9-10 am. Have to have a big mug of coffee with me, first check emails (since I am working with publishers in the US sometimes they will send emails when I have already gone to bed), then choose music or silence or audio book depending on what stage in the working process I am in (sketches=no sounds, refining sketches=music, finals=audio books), adjust work table (light box, drawing materials, paint or computer, depending on the stage I am in), start to work. My best work time is afternoon or late at night. I always have inspirational images around me, from the time period I am working in at the time, or nature of the area the story takes place, etc.

Andrea: Probably that decision developed out of reading. I read so many books that I wanted to see illustrated and/or thought “I would love to illustrate that…”

SWE: What was your favorite book when you were growing up, then?

Andrea: Hmm… as a kid I found this old YA book that had belonged to my mother, The Lion’s Paw by Robb White. In it two children run away from an orphanage and go on a sailing adventure together with another boy who is looking for his father. I loved this story and recently it fell into my hands and I read it again. The story was still as intriguing and adventurous to me as back then.

I also loved Michael Ende’s Momo and The Potion of Wishes, Hohlbein’s Märchenmond (Magic Moon.)

SWE: It’s fun to think that you had a whole different world of books growing up in Germany than I did here in the U.S. I think I’m going to have to check some of your favorites out!

Can you tell us a little bit about some of the work you’ve illustrated?

Andrea: I am working in different types of illustration genres, illustrating children’s books, creating short graphic novel type stories (for Flight), working for galleries and magazine. All of these areas are very interesting to me, and I want to continue to try out different things and especially keep working for galleries and graphic novels.

The Boneshaker illustrated by Andrea Offermann

In 2009 I was asked to illustrate The Boneshaker by Kate Milford, a YA steampunk novel, and had a blast! There was so much detail and atmosphere for me to draw upon to create my illustrations, and the reading age allowed me to work pretty freely and include some darker aspects, which I loved. I realized that YA is a very interesting age range to work for and I have worked on several more YA novels since. Of those, The Midnight Zoo by Sonya Hartnett stands out. This novel really challenged me, because it holds such a fine balance between gruesome truths and poetical allegorical meaning. Working on The Midnight Zoo taught me a lot about how to work with different voices of authorship. Luckily the editor of the book, Chris Paul, is fantastic, and lead me along.

SWE: So…Salty or Sweet?

Andrea: Sweet! :)

SWE: Me too. Chocolate especially!

Andrea: YES! Chocolate definitely! A must for all-nighters… :)

The Midnight Zoo illustrated by Andrea Offermann

SWE: What’s your favorite thing about working as an illustrator?

Andrea: That I get to read stories and then try to find an aspect to tell with my pictures that will enrich the experience for the reader.

SWE: Where do you go when you are seeking inspiration?

Andrea: Out into nature is always good, also Hamburg has an incredible harbour, the scale of the scene and the busy activitiy always calms me down and clears my mind. I go running or swimming as a meditation tool, and am always looking for and interested in stories around me, from friends, family. Also of course, traveling, visiting a new place is always fantastic inspiration, but that is not always possible. Impressions very opposite to the things I am working on at the time are often the best inspiration to look at my project from a new angle.

SWE: Oooo…I like that. Finding the opposite of what you’re working on…I’m going to try that next time I’m stuck.

Orangutans or squids?

Andrea: Hmmmmm…. I think squid.

SWE: Do you do other work outside of illustration?

Here Be Dragons by Andrea Offermann

Andrea: I work on personal projects for gallery and print, (it was so nice to see you at the opening at Thinkspace gallery!) and I definitely want to continue to work in that direction. It allows me to experiment and tell stories that I personally want to tell or think need to be told.

SWE: I’m glad you brought up the Thinkspace Gallery. Your exhibit there was incredible. Detailed and thoughtful and beautiful and heartbreaking. I was blown away.

What are you working on now?

Andrea: The prequel for The Boneshaker, The Broken Lands by Kate Milford, and a children’s book for the German book market. I will also participate in 1 or 2 group shows this year.

SWE: Do you have a superpower?

Interior illustration by Andrea Offermann for Ghost Knight by Cornelia Funke

Andrea: Superpower…… hm…… I like to IMAGINE I have superpowers…does that count? I am really near sighted, which also lets me see very fine detail (Ha! I guess that explains my illustration style!), and I can sleep anywhere, standing, sitting, doesn’t matter. I have fallen asleep in the middle of rock concerts, at the baggage belt of the airport, even while I was TALKING to people… ok that doesn’t sound like very good superpowers…

SWE: Wonder Woman or Supergirl?

Andrea: Ooh, I didn’t grow up with them, so I don’t know…. :)

SWE: I guess I’ll let it slide then.

Andrea: Can I offer my superhero of kindergarten days as a substitute? The Very Hungry Caterpillar! She just got to eat and eat and eat (which WAS and IS one of my favorite pastimes), and in the end, she transformed into a superhero with an awesome costume and one of the coolest superpowers: flying!

SWE: I love the view of the Very Hungry Caterpillar as a superhero. You are so right!

Thanks Andrea! Don’t forget to check out Andrea’s website, her gallery exhibit at Thinkspace, and the books she’s illustrated!

Follow the Path! 25 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock. On March 3rd, all twenty-five illustrations will be shown at the Hive Gallery in downtown Los Angeles. Come join us!

This week’s art reveal is hosted by: Lindsay Writes

Faye's boots from Harbinger. Artwork by Mary Peterson.

SWE: Hi Mary Peterson!

Wow! That’s two Mary’s in a row! How strange.

Anyway, I love your iconic boot image. It’s so detailed and textured, while retaining simplicity. Can you tell me why you chose Faye’s boots?

Mary P: Faye is dealing with a lot for a 16 year old. She’s suddenly yanked from her home and put into a rigid, scary institution, she has strange and frightening visions, no friends. Yet, from her first night at Holbrook Academy she is determined to find answers. Her boots are not only a symbol of the rough road she’s on but also her inner strength. The image is a two color linoleum block print.

SWE: I love your description of the piece and you accomplished just that. Faye’s boots are one of the very few things she has left from home and so it feels really right that you picked them. Also, I love how you added the ominous red, both in blocks and in subtle touches. The piece is great.

Piggies in the Pumpkin Patch by Mary Peterson and Jen Rofe.

Do you have a favorite kid’s book?

Mary P: One? there are so many wonderful books….so many reasons to love a book….but if I have to pick one, it’s Harry Potter and the Sorcerer’s Stone. It was the book that turned me on to the pleasures of the middle grade novel. Harry is nerdy and alone, he lives in a magical world where all things are possible, and it’s sweetly humorous.

SWE: I LOVE the Harry Potter books too. What about your own stories? Can you tell us a little about Piggies in the Pumpkin Patch?

Mary P: I wanted to make a book about the farm I grew up on. The piggies were my favorite–they were very deft at squeezing out from under their fencing which startled the chickens whose flapping wings would cause the piggies to scatter every which way. This was very comical to me as a kid. Jen Rofé and I wrote the story based on the piggies mis-adventures.

SWE: What about books you’ve illustrated?

Mary P: I’ve illustrated five picture books. Actually, one of them is a beginning reader, Wiggle and Waggle by Caroline Arnold (Charlesbridge). Wiggle and Waggle are crazy-lovable best friends. Their adventures center around the challenges of keeping a garden healthy. Wiggle and Waggle became a Bank Street College of Education Best Books of the Year recipient which makes me very proud.

Wiggle and Waggle illustrated by Mary Peterson.

SWE: Did you always know that you wanted to be an illustrator?

Mary P: As a kid I was the class artist and in college earned a BFA in studio painting. But it was my career as a graphic designer that eventually led me to my true love, children’s book illustration. Children’s picture books satisfy all my passions, graphic design, illustration and books.

SWE: What’s your favorite thing about the job?

Mary P: My favorite part is the quiet period of painting the finished artwork, after the book has been designed and the sketches approved.

SWE: I think I know what you mean, I love it when I can really sink into the story.

So…Orangutans or squids?

Mary P: Squids!

SWE: What do you do when you’re seeking inspiration?

I settle in to work about 9, after a long walk, coffee, breakfast and a little reading. My time is split between the computer, my drawing table and, recently, my letterpress. My tiny studio is floor to ceiling with books, art supplies and quirky objects that inspire that me...and the washer/dryer.

Mary P: I like to go anywhere there is lots of graphic stuff to look at. It doesn’t matter if its a used book store, a tourist shop in Chinatown or LACMA. If it’s printed on paper I’m inspired.

SWE: What about people who inspire you?

Mary P: My mom. She had her hands full raising kids and helping my dad with the family farm yet she always found time to draw. There was no motive in it aside from her love of creating an image. She was a wonderful portrait artist.

SWE: Your print of Faye’s boots is different than some of your more traditional illustration. Do you use that technique often?

Mary P: More and more. A few years ago, on a whim, I started taking letterpress classes and got hooked. I now own two small presses and an ever growing collection of metal and wood type that I play around with. This also led me to linoleum block printing which is the medium I used for Faye’s boots. This style is more in line with my “fine art” work which seemed appropriate for this piece. I love playing with new styles and materials.

SWE: What are you working on now?

Mary P: I’m currently working on Wooby and Peep by Cynthea Liu (Sterling, 2013). This is another book where the characters are over the top adorable. It’s a slapstick story of finding best-friendship.

I also design and print mini-broadsides that I sell in my Etsy shop and most recently I’ve been experimenting with artist books.

SWE: Any chance we could see a sneak peek of something from Wooby and Peep? Pretty please?

Wooby and Peep Book Announcement illustrated by Mary Peterson

Yay! Thanks! They’re so fun. I can’t wait!

Do you have a superpower?

"Liar, Liar" Letterpress art from Mary Peterson's Etsy's story.

Mary P: I have the power to make french fries disappear.

SWE: So…Wonder Woman or Supergirl?

Mary P: Wonder Woman.

SWE: Smart answer!

Thanks Mary!

To see more of Mary Peterson’s work make sure to visit her website and her shop on Etsy.

And don’t forget to check out Mary Peterson’s books!

PIGGIES IN THE PUMPKIN PATCH

WIGGLE AND WAGGLE

Follow the Path! 25 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock. On March 3rd, all twenty-five illustrations will be shown at the Hive Gallery in downtown Los Angeles. Come join us!

This week’s art reveal is hosted by: I Read Banned Books

Mary Etienne's Harbinger diptych. "She Felt Stronger" and "Better than What?"

SWE: Hi Mary Etienne!

Your diptych is incredible. I love the abstract, yet scenic qualities of your pieces. And with all these minute details….amazing. I love them! Can you tell me a little bit about what you’ve created here?

Mary E.: Reading Harbinger swirled me away!  So far away, in fact that I was in a deep quandary at first as to how to put any one piece of it into visual form. I stewed over ‘choosing’ for a good while.. deliberating and piddling without results until one day I took an extended trek through the neighborhood, and somewhere along in that walk, I gave up thinking, and decided to have fun with it.

So arriving back at the house, I picked up the novel, resolved to open it to any page and just “pick something”.  Halfway down that page I read these words: “And I already felt stronger with the watercolors in my hand.”  That sent me running upstairs to my studio!  I started with loose watercolor splashes and runs.  As I never had before, I actually watched closely as the millions of grains resisted and pushed against one another, some heading off in different directions and others blending together as they sped along.

Detail from "Better than What?" by Mary Etienne.

In those gorgeous rivers of moving pigments, I suddenly saw, how Faye must have felt – washed along in the turbulent flow of her life, being whirled and tossed and enveloped by frightening tides of emotional pain, and into the fear and urgency of the future.  Some of the experiments were so intriguing, I scanned them and began to work some parts of it together on my mac. Some of Faye’s confusion, and her sense of purpose too, amazingly made their way into my Harbinger compositions. There were a couple of key images that seemed to want their own space, so I decided to do a diptych!

Detail from "She Felt Stronger" by Mary Etienne.

SWE: Well I’m glad that you did! It’s wonderful! I know the actual pieces are really big, so I’m going to put in details of the diptych throughout the interview so that people can get a sense of the narrative that runs through your artwork.

Clearly you’re a storyteller, do you have any favorite kid’s books?

Mary E.: Call me old-fashioned but I love the Anne of Green Gables stories!  I’m just crazy about the ease with which she can plop me right into that buggy, and I am suddenly bumping along into the glorious landscape of Nova Scotia.  I have similar visions from my childhood summers in Wisconsin, (substitute the buggy for a ’54 Ford).  Ann Shirley was ”Me with Courage”…  she is an Unabashed Dreamer, living in a world of practical, disapproving, no-nonsense adults!  I’ve also enjoyed what I’ve read by Tamora Pierce…. (and yes, I am prejudiced) but Harbinger is my top choice (for the moment) — until its author’s next novel is released!

SWE: *blush* Oh, go on with you! I love the Anne of Green Gables books too. She is indeed a kindred spirit!

So when did you know you wanted to be an artist?

Mary E.: As soon as I could hold a crayon, I think.  As a small child, I carefully saved out the Christmas cards that had watercolor images on them, even before I knew what a “watercolor” was.  But I was gently steered toward teaching art because, in the olden days, having a girl go into ”commercial art”, was unheard-of. I am grateful now that I did teach, because it put me in a position to encourage the “Anne Shirley” in all kids.  I’ve seen statistics showing that over 90% of a child’s school day is spent in “left-brain” mode, so Art was a haven.

Mary teaching an art class in the backyard.

So I guess the moral of this story is “Keep Dreaming, always try to carve out at least a little time for yourself to be creative, but strive to be 100% where you are, grateful for what you have that is good, and life will take you where you are supposed to be”.  I’ve tried to impart that to my students and to our own kids, as well as endeavor to follow the advice myself.

SWE: I think you must have been a wonderful teacher to have!

So, Orangutans or squids?

Mary E.: Orangutans – they have SO much delightful personality!

SWE: What’s your favorite part of working as an artist?

Mary E.: Though I am a practicing artist, my “retired teacher” status brought with it the opportunity to return to the formal study of art, particularly, (good guess!) Watercolor!  I love going to class at the Indianapolis Art Center and watching how each student travels at his own pace, and moves through her own growth, and arrives at that unique style. It is glorious to be under the tutelage of a superb teacher and watercolorist, who makes us all feel like best friends and confidantes.  So I guess my favorite thing is finally having the time to create, and even perhaps discover my purpose!

SWE: Sounds lovely. What do you do when you’re in need of inspiration?

I'm happy pretty much anywhere. In the winter, I work in a spare upstairs bedroom where my aged studio desk sits facing a window on the street, and a small antique desk tolerates my mac. I keep a picture of and quote from Georgia O'Keeffe in front of my desk. Her toughness and determination remind me that, like her, I have to find "my own way" of painting! In the warm months I set up a table in our sun room. My husband spends a lot of time in the yard and garden and I like to feel a part of all that's going on out there -- squirrels raiding the bird feeders, dogs barking, kids yelling, typical midwest stuff.

Mary E.: I like to dig through boxes of ancestral photos and letters, (some part of me wants to create honored places for those dear words and images), I love to wander through fabric stores… sliding my hand over the aisles of silky, and fluffy and brocaded textures.

The best thing I’ve discovered as an aid to my creativity, (promise you won’t laugh) is a first-thing-in-the-morning, appointment with instrumental polka music while on the treadmill. I have recently begun to ”plaster” the unbeautiful basement wall (facing the treadmill) with images relating to my next, or current work. I just let the images “be” in front of me and take notes as inspiration pops up!

SWE: I love the idea of polka inspiration! Om-pa-pa!

What about people who inspire or influence you?

Mary E.: Not so much influenced, but supported — my dad understood my ‘dreamy” nature, and my Mom encouraged me to study Art. Recently though, I’m inspired by the gifted Irina Smulevitch, illustrious Russian-born watercolorist and joyful, fun-loving teacher!

SWE: What are you working on now?

Mary E.: I am working on a series of watercolors of women of previous generations. The first of these is “The Letter”. The subject is a dear friend’s grandmother, who grew up next door to the Edison family.  I love images that provoke memories of strong, or intriguing personalities. The second of the series is inspired by a 1929 shot of my mother, Rose, posing on the hood of an automobile documented as “Johnny’s Oakland.”

SWE: So…Do you have a superpower?

Detail from "Better than What?" by Mary Etienne

Mary E.: Gosh, this one is really elusive.  I can imagine what my kids might say: “Mom’s dangerous with a camera – Hide!”;  My husband: “Best Chicken Curry this side of the Atlantic”; or “She can decorate a birdhouse even Chicken Little would feel safe in”. Yeah, what’s with the chicken references??

Well, okay, my hope is that I’ve helped shine a light on kids’ (and some adults) creative potential, and helped them believe in themselves.

SWE: So… Wonder Woman or Supergirl?

Mary E.: Wonder Woman!!  I’ve never heard of  – ??   “SuperGirl”, was it???

SWE: Thanks Mary!

To see more of Mary’s work, check out her website!

Follow the Path! 25 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock. On March 3rd, all twenty-five illustrations will be shown at the Hive Gallery in downtown Los Angeles. Come join us!

This week’s art reveal is hosted by: I Am A Reader, Not A Writer

Faye's Red-Stained Hands by Angela Matteson

SWE: Hi Angela,

I love your portrait of Faye! The texture and patterns are amazing. Can you tell me a little bit about this piece?

Angela: I loved the mystery of Faye’s red stained hands, and as I love to work with limited color palettes I was drawn to focus on this powerful color.

SWE: Well, the limited color palette really works for you. It’s simple, yet very complicated. Wow.

Did you have a favorite book growing up?

Angela: As a kid the first series I was immensely excited about was The Chronicles of Narnia. It was like finding buried treasure on the shelf. I remember devouring it, and being so eager to go back into that world where anything could happen, and where the rules of our world didn’t necessarily apply. Recently, I finished The Golden Compass series along with every related Pullman short story I could find, and felt that same excitement, although the themes appeal to me even more. Philip Pullman is brilliant!

SWE: I’m right there with you on both series! Narnia was one of those early worlds for me too. And the Golden Compass books blew my mind. I think you could read those over and over and still find new things to think about.

Did you always know you wanted to be an artist?

Artwork by Angela Matteson

Angela: My parents provided me with a multitude of art supplies as a kid, but I thought that was fairly normal for all kids. Don’t we all start out creating? It was in middle school when I started drawing cartoon characters that my interest in studying all aspects of art grew. We had a subscription to Artist Magazine, and when I saw there were 4 year art colleges I set my sights on attending, and never looked back.

SWE: Orangutans or squids?

Angela: Baby Orangutans definitely score higher on cuteness. Have you seen them on Zooborns? Squids aren’t even listed on their site, which may be considered squid discrimination.

SWE: Clearly this is something we need to get to the bottom of!

In the meantime, what’s your favorite thing about the job?

Angela: Creating things that don’t exist yet. Playing with color, lines, endless possibilities…

SWE: Where do you turn when you need inspiration?

I like to settle into a comfy spot on the couch to sketch. On a good day, I'll sketch in the park. Then, once the drawing is transferred I migrate to my drafting table to paint through many late nights while listening to audiobooks.

Angela: The internet provides endless inspirations. I love when one artist leads to another. I’m inspired by many European and South American artists. I also go through stacks of picture books from the library. But, there are times when I just need to completely get away, and take a hike through the woods. It helps ground me.

SWE: I like the idea of one artist leading to another. Research is like that for me. One strange, wonderful fact leading to the next.

What about people who inspire you?

Angela: There are so many artists who inspire me on a daily basis. Two who have been strong influences are Rebecca Dautremer and Ofra Amit. Their brilliant work astounds me. The perseverance of my illustrator friends also inspires me. Everyone always has something wonderful to share.

SWE: What are you working on now?

Angela: I’m working on new painting commissions, and planning out a solo show of 10-15 pieces opening in December. I’m also planning to open an Etsy shop to sell original paintings such as Robin Chick & Batman Penguin, and prints.

Robin Chick and Batman Penguin by Angela Matteson

SWE: They are sooooo cute! I love them!

Do you have any superpowers?

Angela: Yes, I have that superpower many creatives have. The one where the tighter the deadline the more productive I become….often on little sleep. This power becomes even stronger late at night. I’m sure you share this power as well.

SWE: Do I ever. Especially recently!

So…Wonder Woman or Supergirl?

Angela: I grew up watching Linda Carter as Wonder Woman, and she rocked! She was intelligent and strong. Supergirl will always be in Superman’s shadow.

SWE: You speak the truth!

Thanks so much, Angela! To see more of Angela Matteson’s art or get prints of her wonderful work, check out Angela’s portfolio and her blog.

Follow the Path! 25 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock. On March 3rd, all twenty-five illustrations will be shown at the Hive Gallery in downtown Los Angeles. Come join us!

This week’s art reveal is hosted by: Pure Imagination

Faye from Harbinger. Illustrated by Israel Sanchez

SWE: Hi Israel!

I love your portrait of Faye at the window, with the nails, and the water flooding in. Can you tell me a little about why you picked that scene?

Israel: I chose the moment when Faye throws the nails out the window because it was one of the few times early on in the book when she was in control of herself and everything around her. It was a moment of defiance that no one saw. I also thought that it would make an interesting image, a quiet moment with lots of meaning.

SWE: I love your description of that. “A moment of defiance that no one saw.” And Faye looks so strong in your picture. It’s wonderful!

Did you have a favorite book when you were growing up?

Israel: My favorite Young Adult book is Where The Red Fern Grows. I still look to books and movies about kids growing up and facing adult challenges. The story of a young boy learning about the hard parts of life and how to get through them was a big inspiration for me when I was young. On top of that, it’s a great adventure story.

SWE: I remember really liking that when I was growing up too…though its been a while. I know what you mean about liking books that show the character navigating the hard parts of life. We often need all the help we can get.

When did you know you wanted to be an illustrator?

Cyclops! by Israel Sanchez from FLIGHT 4 anthology

Israel: I’ve always known I wanted to be an artist but I knew I wanted to be an illustrator the first time I saw the work that N.C. Wyeth created for Scribner’s classic books. My teacher, Marshall Vandruff, would show slides of the paintings projected at a giant size. The color, composition, and staging in them just blew me away.

SWE: It’s be hard not to be inspired by N.C. Wyeth! I love his stuff. And he really knows how to pick his moments, doesn’t he?

Orangutans or squids?

Israel: Orangutans, because you can shake hands with them.

SWE: But you’re pretty daring if you do! Though perhaps trying to shake hands with a giant squid might be more dangerous!

What about your own work? What have you been up to?

Israel: I have written and illustrated comic stories for the Flight anthology and Nickelodeon Magazine. I also freelance as a background artist for Titmouse Animation.

SWE: I love the Flight anthologies! Can we see any of your work from them? Thanks!

Israel: Sure this is from my story “Cyclops!” Flight really helped me learn about telling stories with pictures.

I work at a computer or at a drafting table depending on the project I'm on and who it's for. I don't have many pictures taped up around me for inspiration but I do have a lot of art books that I look at when I need a little bit of a creative push. I listen to music when I work but it has to be something I know, otherwise I get distracted by it.

What else have you been working on?

Israel: I do paintings for local gallery shows every now and then. It keeps me in practice painting, especially when I’ve been working on the computer too long.

I am currently working on my first picture book, “The Dinosaur Tooth Fairy” by Martha Brockenbrough, for Scholastic and due out in this year. It’s been a blast to work on and I can’t wait for it to come out.

SWE: What’s your favorite thing about illustration work?

Israel: My favorite thing about being an illustrator is the challenge of having to solve a problem and come up with an entirely new piece of artwork each time I’m given an assignment.

SWE: What do you do when you need a little inspiration?

Israel: I get inspired mostly by being outside. A camping trip or even just a short walk through my neighborhood is enough to get my ideas going. I don’t know why exactly, I guess the rhythm of a walk makes it easier to get and focus on ideas.

SWE: Yeah, I take walks too. And showers. One of them usually does the trick.

What about people that inspire you?

A color study for Dinosaur Tooth Fairy illustrated by Israel Sanchez

Israel: I can’t pick one person so I’ll say that all of my artist friends inspire me. Seeing the amazing work they create gets me excited for my own projects.

SWE: Can you tell us a little bit more about The Dinosaur Tooth Fairy and what it’s been like to work on it? And maybe give us a sneak peek?

Israel: This is the first picture book I have illustrated. Although it’s been fun to work on, it has been a challenge, especially when figuring out how to create images that support the story while being fun to look at. It’s been a great learning experience and I hope to have the chance to do it again soon.

Babushka Bear by Israel Sanchez

SWE: Do you have a superpower?

Israel: I have the power to stay up working so late that I get to see the sun rise in the morning, but I’m learning that the power fades with age.

SWE: So…Wonder Woman or Super Girl?

Israel: Wonder Woman. I think it’s the outfit.

SWE: Is it ever! Thanks Israel! To see more of his work, check out Israel’s website. And don’t forget, Dinosaur Tooth Fairy will be out later this year!

Follow the Path! 24 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock. On March 3rd, all twenty-five illustrations will be shown at the Hive Gallery in downtown Los Angeles. Come join us!

This week’s art reveal is hosted by: Stories and Sweeties

Faye waking up the first morning from Harbinger. Illustration by Su Moon

SWE: Hi Su!

I love this illustration you’ve done of  Faye and Maya waking up in their Holbrook dorm room.  The strong reds and oranges do so much for the tension in their scene. Can you tell me why you chose to portray this?

Su: The moment of shared fear and sympathy between Faye and Maya lingered with me long after I read the scene.

SWE: Well, your illustration certainly lingers with me!

When did you first know you wanted to be an artist?

Su: I was premed in college, and after graduating much impoverished, I took time off to consider my options beyond medschool. I moved to NYC in the winter and walked through a blizzard to snag a job with a creative talent source book. It was my first exposure to professional illustrators and designers making a living creating art. The possibility never occurred to me before!

I’m also interested in writing, so animation and picture books seemed a natural way to integrate art and story. I moved to LA, got into animation and joined a writing group and SCBWI.

SWE: I know what you mean. I studied science in college and even though I loved writing and books, even though I came from a family with a deep love of books and bookstores, it took a long time for me to realize that being a writer was something that I could actually do.

Do you work as an artist full time now?

Wombat G'Day...an illustration from a picturebook dummy by Su Moon

Su: By day, I design cartoons for Warner Bros. Animation. It’s challenging, and frequently enjoyable.

SWE: Sounds awesome!

So…Orangutans or squids?

Su: I’m Korean — squids, for sure.

SWE: Ha!

Growing up, did you have a favorite book?

Su: My favorite book as a kid was an orange, pleather bound copy of the Jehovah’s Witness “My First Book of Bible Stories”. The technicolor illustrations of Old Testament stories –Jezebel’s red claws and all those hairy sons of Adam — were terrifying.

The Dark is Rising fantasy series by Susan Cooper, was a favorite, too. These days, I love Sherman Alexie’s The Absolutely True Diary of a Part-Time Indian and David Small’s graphic novel, Stitches.

I have a day job, so I don't settle into my personal work until late. I work on a Mac and Cintiq, surrounded by paper... I'm a fan of post-its and yellow legal pads.

SWE: I love the Dark is Rising series too! And The Absolutely True Diary of a Part-Time Indian is also one of my “new” favorites. Sadly, Stitches is still sitting on my to-read shelf…but I’ll get to it!

What’s your favorite thing about the job?

Su: When drawings make me laugh.

SWE: Nice!

What do you do when you need some inspiration?

Su: I walk and doodle for inspiration. But, frustration and deadlines are also great motivators.

SWE: So true!

What about people who inspire you?

Su: My parents and their perseverance.

Illustration from a picturebook dummy by Su Moon

SWE: What are you working on right now?

Su: An animation pitch and revising two picture book dummies.

SWE: Can we see any sneak peeks of what you’re working on?

Yay! Thanks for the preview!

Do you have any superpowers?

Su: I’m still hoping to manifest some one day!

SWE: So the all important question…Wonder Woman or Supergirl?

Su: Old-school Lynda Carter Wonder Woman!

SWE: Me too! I love her spin-change! Thanks Su! If you’re interested in seeing more of Su Moon’s work, you can contact her agent!

Follow the Path! 24 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock…

This week’s art reveal is hosted by: Electrifying Reviews

Faye in Socialization Class from Harbinger. Artwork by Wilson Swain.

SWE: Hi Wilson,

Your picture of the Socialization class is super intense! Your depiction of Faye and her classmates facing off with “Auntie” has a disturbing, dark quality that really matches the scene. I love it! Can you tell me a little about why you chose this moment to illustrate?

Wilson: I really loved the scene inside the classroom where Auntie dominates the family.  At this point in the plot there are echoes from a hidden life, and I wanted the woods to be a secondary, constant presence.  The nerf ball holds power, not literally, but figuratively.  The idea of an object to which we’ve attributed grander meaning holds a lot of potential.  That’s the imagery I wanted to work with.

SWE: I think you portrayed that beautifully. I’m blown away by your piece. Did you always know you wanted to illustrate?

Wilson: I’ve always drawn, and crafting a narrative visually makes my heart beat.  Illustration goes beyond highlighting and clarifying the story–it’s a way of creating your own language.

The Castaway Pirates illustrated by Wilson Swain

SWE: What a lovely way of putting that. And so true.

Did you have a favorite book as a kid?

Wilson: Charlie and the Chocolate Factory was the only book I read over and over as a child. I did a number of illustrations for it some years ago as promotional pieces. Roald Dahl still makes me laugh.

SWE: I love Roald Dahl too. I think Matilda is my favorite of them…but Charlie and the Chocolate Factory is definitely a close second. Dahl’s worlds always have these oppressive adults that control everything, which is how I felt as a kid. But I love that the kids not only win out, but often get wonderful vengeance.

What about your own work? What sorts of other stories have you illustrated?

A Nutty Nutcracker Christmas, illustrated by Wilson Swain

Wilson: I’ve illustrated a pop up adventure: The Castaway Pirates and the musical storybook, A Nutty Nutcracker Christmas.

Right now, I am working up a few retellings of some classic stories.  I have several commissions I’m working on, and Castle of Shadows, by Ellen Renner will be released by Houghton Mifflin next year.  It’s a chapter book featuring a cover and interior illustrations created by yours truly.

SWE: Wow, you sound busy. I’m a HUGE fan of your work, so that makes me happy!

Can we see any sneak peaks from The Castles of Shadows?

Castles of Shadows by Ellen Renner. Illustrated by Wilson Swain

SWE: Orangutans or squids?

Wilson: You can’t make me choose.

SWE: Fine! Then, what’s your favorite thing about illustrating?

Wilson: The freedom. I love working at home at odd hours. I also love the fact that I can justify my interest in absolutely everything and chalk it up to research.

SWE: That’s totally one of my favorite parts too. No experience is a waste of time, no matter how unpleasant or strange. It means that even waiting in line at the post office can be an inspiring activity…

Where do you usually turn for inspiration?

Wilson: I watch a lot of documentaries, and I look through many, many books.  I love going to a bookstore or to the library.  I’m also in love with LA history–its architecture and its film roots.

SWE: What about people who inspire you?

Elmo and Wilson

Wilson: I pay very close attention to the inner workings of the Muppets, so it would be hard not to say Jim Henson.  But I truly am inspired by an ocean of artists and designers. What I find most inspiring is when a creative storyteller transcends the world he designs to make the one we live in better.

SWE: Wow. I love the way you put that…transcends the world…that’s what all art and stories are really about, aren’t they.

Speaking of stories and art…Wonder Woman or Supergirl?

Wilson: You can’t make me choo…Wonder Woman.

SWE: Yay! Thanks so much, Wilson. You can see more of Wilson’s art at his website and www.thumbnailtravelogue.com.

And make sure to check out Wilson’s books!

The Castaway Pirates: A Pop-Up Tale of Bad Luck, Sharp Teeth, and Stinky Toes

A Nutty Nutcracker Christmas

Castle of Shadows

Follow the Path! 24 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock…

This week’s art reveal is hosted by: Eleusinian Mysteries

The Compass Rose from Harbinger. Artwork by Drew Etienne

SWE: Hi Drew,

First let me say, I love your painting of the Compass Rose.  It’s amazing how you can see through the walls, into this complex house with all its secrets. And there’s such an incredible mix of the architectural and the organic.  Can you tell me a little about why you chose to paint the Holbrook Academy grounds?

Drew: I really enjoy being immersed in new imaginary worlds. It’s a central theme to my artwork. I was immediately curious about this mysterious estate, and I wanted to express what a first impression of this place might feel like, especially in a world of limited resources.

SWE: Well, you gave us an incredible first look!

Did you always know you wanted to be an artist?

Phantom Tollbooth by Norton Juster, Illustrated by Jules Feiffer

Drew: Everyone around me has thought of me as an artist my whole life, but I didn’t wholeheartedly believe it myself until very recently. I kept looking at all the amazing artists out there and saying “I’m not that.” It took me most of my life so far to realize I was already my own version of that. You have to divorce yourself from fear in order to go all in, and to do the work you should be doing. As for why, human beings have always been explorers; it’s in our genes. We‘re also creators, of life if nothing else. That’s why I make art. I get to explore my own new worlds as I create them.

SWE: Are you sure you’re not a writer, in addition to an artist? That was well put. I suddenly have the urge to start an Explorers’ Society for artists…we can wear pith helmets and talk about spelunking in our imaginary worlds.

Did you have a favorite book growing up?

Drew: The Phantom Tollbooth. I don’t even think I understood all the subtleties of that book when I was a kid, but I was still just enthralled with everything that was going on.

SWE: Tony and I are just rereading it and I’m very enamored with it. The wordplay is pretty brilliant. Not to mention the awesome illustrations by Jules Feiffer!

Squids _are_ stranger.

Orangutans or squids?

Drew: Squids – they’re much stranger.

SWE: What’s your favorite thing about being an artist?

Drew: When I’m working on a painting and I find something that I wasn’t expecting to see – something that totally surprised me or takes me down a new path of “Where the hell am I?” I also love being surprised by how other people interpret the paintings.

SWE: What do you do for inspiration?

Drew: When I need inspiration I usually go outside and explore. I’ll go for a bike ride, take pictures of clouds, get lost in a forest, exercise, meditate, drink tea, or play some old school video games. Or if I get bummed out with an artblock I’ll look at some of my favorite artists to remind myself why I’m doing it.

I generally work best at night. I have more energy, less distractions, my housemates are gone and I can crank my music. I’m almost always listening to abstract electronic music, video game music, or something to sing along to. It really helps me focus. I have two studios at my house which I keep very organized, like a laboratory…for experiments in art.

SWE: What about people?

Drew: My family and friends inspire me. German painters influence me.

SWE: What sorts of other things are you working on?

Drew: Occasionally I do graphic design work for the ever-expanding sport of Bike Polo. I don’t play bike polo, but I support it.

I’m working on several pieces for a solo show early next year. I’m currently getting lost in two  4’x6’ acrylic paintings, along with several medium-sized panels, and some small marker/ink drawings/paintings that were influenced by my many hours spent with markers as a kid.

SWE: Wow… that sounds awesome. Can’t wait to see what you create!

Now for the important question…Wonder Woman or Supergirl?

Drew: Wonder Woman.

SWE: Good man!

To see more of Drew’s fantastic art, visit his website.

Follow the Path! 24 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock…

This week’s art reveal is hosted by: i swim for oceans

Faye in solitary from Harbinger. Artwork by Ken Min

SWE: Hi Ken,

I love this picture of Faye locked up in the “Meditation Center.” Can you tell me a little bit about why you chose to illustrate this moment?

Ken: When I came across this passage in the book, the visual of it came to me fully formed. I liked the notion of Faye looking through the knothole in the wall. But because you can only see an eye from the other side, I liked the idea of her outline being described across the wall. I will admit, the final came out a bit different from my initial concept. Somewhere in the process, I changed her outline into something almost like her form ‘scratched’ into the wall revealing something like wood grain coming through.

SWE: Well, I love the “scratched” effect. Like Faye’s left her mark in the wood.

Did you always know you wanted to be an illustrator?

Artwork by Ken Min

Ken: I remember drawing at a young age. I started with dinosaurs and sharks. Then onto cartoons to comic book characters and on up. So, I don’t know if I always knew I wanted to draw, I just did. Whether I wanted to do it for a living, that came in time. I do like the artistic expression of working as an illustrator. Whatever one can think of, one can create. It’s also nice to work on something different each time. It’s a profession ripe with possibilities.

SWE: Do have a favorite kid’s book?

Ken: It’s so hard to think of just one, but the title that really started me thinking about illustrating for the children’s market is George Shrinks by William Joyce. I was working in a Crown Book store over in Studio City. This is going to sound terrible, but no one wanted to go into the children’s section. It was always a big mess. People drew straws to see who had to clean it up. Well, one day I drew the short straw and it was my time to fix it up. So I’m straightening out the section. Trying to find some ‘order’ to the chaos when at my feet I spotted this book, a copy of George Shrinks. If you don’t know it, it’s a story about a boy who wakes up and finds he is about 4” tall. He shrank overnight. And the story, as it plays out, is a note from his folks telling him things he needs to do for the day. Just random, ordinary chores, but at 4” tall, things take on a new perspective. I thought, “wow this is fun” and at that moment, I knew I want to do this. I wanted to make picture books.

SWE: George Shrinks is a great book. It’s definitely a thought experiment taken to its most fun conclusion.

Fish by Ken Min

What’s your favorite thing about the job?

Ken: The creative process. Sometimes ideas come easily around a given project that I feel in tune with, other times it’s like a locked room, no-win scenario that one has to puzzle out to find the right solution. Either way, the fun is in the process.

SWE: I’m very familiar with the locked room feeling! But I wouldn’t necessarily describe it as fun… except at the very end, when you find the key. Now that is a great feeling!

What do you do when you find yourself puzzling it out and need inspiration?

Ken: Inspiration comes from everywhere and in any form. A walk will clear one’s head and open one to ideas. Or a drive. Books, TV or movies will loose some imagery. I always say that one just has to be open when inspiration hits cause you never know when it will come. So have a pen handy.

SWE: Wiser words were never spoken. I think I’ll put that on my grave. “Here lies Sara Wilson Etienne… She always had a pen.”

Orangutans or squids?

Ken: I’m leaning towards orangutans, but I don’t really have a horse in this race.

Hot, Hot Roti for Dada-ji illustrated by Ken Min

SWE: How about your own work? Tell me a little about the picture book you illustrated recently, Hot, Hot Roti for Dada-ji by F. Zia. What was your favorite part of that project?

Ken: I can’t describe what a pleasure it was to work on my first picture book. It’s been a goal of mine for quite a while now. I would say my favorite part of the process was the early stages of sketching and doing research. Learning about the Indian culture and envisioning the look and pacing of the book. At that stage, everything is an open book (so to speak). Nothing is visually set and you go about finding the look and form of the story. It’s a great feeling when one comes up with a nice composition and you think to yourself, “Yeah, that’s it,” and move on cause you hit it just right. Then it’s just a matter of getting all your ducks in a row.

SWE: Haven’t you been working on a graphic novel too? Did you enjoy working in that format?

A sneak-peak at Earthling by Mark Fearing. Color work by Ken Min. ©Mark Fearing and Chronicle Books

Ken: I did the color work on a friend’s graphic novel. It was a fun project. Growing up a comics fan, it was a blast to be part of the process of creating a graphic novel. And working with a good friend made it more enjoyable. Something I tried to do was mimic my friend’s color styling since this is his baby. I don’t know if I was successful, at it, but it was at least in the forefront of my mind- just thinking in terms of texture and bold colors. I often wonder if I have a comic story of my own in me. If I did, it would probably have the pace and demeanor of a foreign or art film. Yeah, sometimes I’m a little odd that way.

SWE: Okay last question, Wonder Woman or Supergirl?

Ken: Yes!

SWE: Hmmm… I’ll let that answer slide I guess.

Thanks Ken! Visit Ken’s website to see more of his work! And don’t forget to check out Hot, Hot Roti for Dada-ji Art by Ken Min, Written by  F. Zia, from Lee & Low Books.

Follow the Path! 24 incredible illustrators and artists have picked their favorite scenes and characters from HARBINGER to give you a taste of Faye’s world. Each week, in the gallery at the Holbrook Academy website, a new illustration will unlock…

This week’s art reveal is hosted by: Icey Books

Faye, Rita, and the Screamers from Harbinger. Artwork by Brian Ormiston

SWE: Hi Brian,

I love that you chose this moment. It was one of my favorites to write. Can you tell me a little about why you picked it?

Brian: I chose the moment Faye comes running into the circle of screamers and meets the mysterious Rita. It felt perfect for an iconic picture. I liked the idea of painting those terrifying statues, the strange landscape and Rita’s distant gaze. I wanted to capture some of the mood that came across in your writing.

SWE: The colors you chose really achieves that tone. Not to mention the creepy statues! My favorite part is how you silhouetted trees though.

Have you always known you wanted to be an illustrator and artist?

Just a few of Brian Ormiston's post-it sketches!

Brian: I have always enjoyed drawing and painting. In elementary school I drew pictures inspired by J.R.R. Tolkien and Lloyd Alexander. I stopped drawing and painting for about ten years following art school  – not because school killed it for me – because I was working hard as a puppet animator on commercials and films and the work took a lot out of me so I never had much energy to paint or illustrate but I was reading a ton of alternative comics. That kept the flame alive for me. Now that I’m a storyboard artist my day job feeds the juices for my illustration work.

SWE: That’s great to hear. It can be hard to strike a balance between your job and your personal work.

Can you tell us a little about the projects you’re working one?

Brian: I’m working on several picture books, each at various stages so hopefully we’ll see one out there in the not too distant future. Fingers crossed. I also run a blog called Roostergator, where I post single one off pictures on yellow post-its. Each picture is a mini story with no explanation behind it. What I like about the single image post-it is I can feasibly start and finish them in a small window of time. It’s basically a way to maintain creative momentum.

One of Brian's post-it sketches for Roostergator

Also, and I’m sure this has been done before but I’d like to create an ensemble of found objects that, when played a specific way, sound techno, like a mini, almost quiet, acoustic techno band. Will it ever happen? Who knows but I already have one instrument in mind I’m going to call “The Hobo.”

SWE: Okay, your found-objects techno band sounds AWESOME. I officially volunteer to play “The Hobo!”

So,  how does your day job fit in with all this?

Brian: In the day I’m a story artist at Laika Entertainment in Hillsboro, Oregon. It’s really quite nice because I draw loose pictures all day and many get thrown out and redrawn so I’ve become comfortable with tossing out ideas that aren’t working. It’s like boot camp for sketch artists. It’s a good way to learn not to get too attached to your drawings. The last film I worked on was ParaNorman – coming to a theater near you next August.  There’s a cool trailer for it online.

SWE: I love the idea of a boot camp for sketch artists… Drop and give me twenty drawings!

Orangutans or squids?

Brian: Squids – I found one in a tide pool as a kid. They’re beautiful and fascinating and move in the most graceful way. Also, they’re delicious deep-fried in batter.

My studio is crammed with odds and ends. I have more books than I think is healthy stacked everywhere around me. All the shelves are full and now islands of stacked books are popping up all around my desk on the floor. There’s a rough path from the door to my desk. Oh, for people who ask, I could do all the work on the computer but frankly; I’d rather draw and paint it on paper. I like the contact, hand to brush, brush to paper and the clinking sound as I rinse my brush in the water. All of that is as important to me as the finished picture.

SWE: Mmmm… squid.

Brian: Orangutans don’t interest me much. Ever since I watched that movie as a kid  – Every Which Way But Loose – kind of made Orangutans cheesy in my mind. Sorry Orangutans, blame Clint Eastwood.

SWE: Wow. Harsh! If we ever hear of a monkey attack on Clint Eastwood, we’ll blame you.

What’s your favorite thing about illustrating?

Brian: That’s a tough one. If the picture comes easy it’s pure joy all the way through but sure enough the next time around it’s a royal pain then doubt and creative crisis’ creep in and it’s a slog all the way to the end. The trick I recently learned is to keep going.  With that in the back of my mind I’ve been able to enjoy the process much more. So when I hit the skids I say to myself – keep going– and usually I can draw my way out of a problem feeling relaxed about it. Like what my old band teacher used to say – “Keep Going! Keep Going! Don’t Stop!”

SWE: Those are wise words from the band teacher. ‘Keep going’ is pretty much the only answer. I think it’s Robert Frost that said, “The only way around is through.”

Is there an artist you look to for inspiration?

Brian: William Steig is the man. Also Quentin Blake. The one that really gets me is Ludwig Bemelmans. But once I make a list about fifty other artists and interesting folk pop up and I say to myself – “oh, those people too!” So there’s a whole lot more. My family of course. I test a lot of ideas on my wife and daughter. They’re a tough crowd.

A peek at Brian's picture book dummy, Fiddle Fox!

SWE: I’m a huge fan of all of them! I’m probably a fan of your family too, but I’ve never met them…

What are you working on now?

Brian: I’m currently working on two picture book stories. One is close to being a presentable dummy the other is in the early development stage.

SWE: Exciting! Can we get a peek at some of it?

By the way…do you have a superpower?

Brian: I have the ability to create lint out of thin air. Unfortunately, we live in a time in which the potential of lint hasn’t been fully realized. In the future when we live in a lint dependent society I will be heralded as a tragic genius, a man whose powers came too soon for humanity. Meanwhile, I make paper puppets with my daughter, using said lint as hair, beards and mustaches.

SWE: Sounds fun, even for a tragic genius!

So… drumroll please… Wonder Woman or Supergirl?

Another of Brian's awesome post-it sketches for Roostergator

Brian: I’ll go against the grain here. Shadow Cat/Kitty Pryde of the X-Men had a power that always fascinated me (I always preferred Marvel). She can fade through solid objects. Can you imagine learning how to control that power? You would have to be very careful not to turn solid again while intersecting something, for the danger of fusing with the object or exploding outright.  And if you took a short cut through the earth and got lost. How would you know which way was up? So be careful if you’re just finding out you can fade through solid objects. Start simple. Like fading your hand through a saltshaker or something. A fork. A pencil.

SWE: That does sound tricky. I think I’ll stick with the lasso of truth.

Thanks, Brian for creating such an amazing illustration for Harbinger! To see more of Brian’s art check out his website, his Roostergator collection of post-it sketches, and his work on the Kidlit Artists website.